Review: THE PEACEFUL HOUR, Liverpool's Royal Court
by Sarah OHara - February 21, 2025
Haunted Scouse and Yellow Breck Road writer Gerry Linford returns to Liverpool’s Royal Court with a brand new comedy drama, The Peaceful Hour - a five star, feel good show show that you will fall in love with....
Review: CINDERELLA, Birmingham Hippodrome
by Vikki Jane Vile - February 21, 2025
Sir David Bintley’s 2010 production of Cinderella has been long overdue an outing, and based on Wednesday’s opening night at Birmingham Hippodrome it is worth the wait. Thanks to Birmingham Royal Ballet’s fundraising efforts, the work now returns refreshed with restored costumes and a dazzling cast,...
Review: THE 39 STEPS, Salisbury Playhouse
by Katie Bourne - February 19, 2025
Adapted from Alfred Hitchcock’s thriller, Patrick Barlow’s The 39 Steps takes us on a chronicle of espionage as a begrudging bachelor embarks into a cat and mouse chase from London to the Scottish highlands as he uncovers the clandestine organisation of German spies....
Review: THE SHARK IS BROKEN, Richmond Theatre
by Aliya Al-Hassan - February 18, 2025
The premise of The Shark is Broken is deceptively simple; three men in a boat, waiting and talking. We meet the cast of a new film in 1974 when Bruce the mechanical shark, necessary for the whole shoot, is indeed broken. Robert Shaw, Roy Scheider, and Richard Dreyfuss would go on to star in the icon...
Review: BOYS FROM THE BLACKSTUFF, Richmond Theatre
by Aliya Al-Hassan - February 13, 2025
After debuting at Liverpool's Royal Court and successful London and West End transfers, James Graham's adaptation of Alan Bleasdale’s iconic television series is now on a national tour. And what a good thing, as this is urgent and thoughtful theatre that deserves to be seen by as many people as poss...
Album Review: THINGS THAT COME AND GO, Hadley Fraser
by Cindy Marcolina - February 07, 2025
It’s a meticulously organised ten-track album. The songs are famous, but not so excessively that the line-up comes off as a redundant rehashing of standards or a vanity project. The piece has a consistent cohesion to it - sonically but also narratively, with the numbers living inside a bubble of mel...
Review: SUMMER 1954, Richmond Theatre
by Aliya Al-Hassan - January 28, 2025
Director James Dacre presents these two short dramas by Terence Rattigan under the banner title Summer 1954, the date when the action is set. An unusual pairing of these unshowy productions convey the intellectually astute and emotionally searing spirit of Rattigan’s writing....
Review: MACBETH, In Cinemas
by Cheryl Markosky - January 22, 2025
David Tennant and Cush Jumbo lead a first-rate cast in a raw, visceral, brutal and ultimately hopeful show filmed live at the Donmar Warehouse in London....
Review: LAST RITES, The North Wall Arts Centre
by Niamh Jones - January 17, 2025
Have you ever really stopped to consider the significance of sound, of speech, on everyday life… on theatre? Many of us take these things for granted, yet Ad Infinitum’s new play throws the realities of being deaf into sharp relief....
Review: WHITE CHRISTMAS, The Mill At Sonning
by Mica Blackwell - December 09, 2024
A gem of a show wrapped in a big red bow, White Christmas at the Mill at Sonning brings a dollop of Golden Age glitz and festive joy to the holiday season. With immaculate production value and a talented cast, I dare you to not leave the theatre counting your blessings instead of sheep....