GARRICK THEATR

by Gary Naylor - November 01, 2024

Intellectually stimulating, if somewhat bloodless, version of a tragedy born of racism, jealousy and naivety...

by Cheryl Markosky - November 01, 2024

Siân Phillips steals the evening in Theatre Royal Bath's twin-bill tribute to Terence Rattigan's one-act plays: lesser-known Table Number Seven, and The Browning Version ­– hailed by critics as 'a 70-minute masterpiece' when first performed at London's Phoenix Theatre in 1948....

by Louise Penn - October 24, 2024

This is a toolkit to help creatives in a business which is often hard to navigate, and I feel it is an excellent addition to the material currently available on the subject. It is written in a chatty and approachable style, and the bitesize structure is perfect for reading on the go....

by Laura Lott - October 16, 2024

Cheese and pineapple on a stick, anyone? The latest musical from Birmingham Rep takes us back to 1970s Britain, where trousers were flared, birthday parties required Iced Gems, and boys definitely didn't play girls in school musicals without everyone having something to say about it. BWW's critic we...

by Jess Ashley - October 18, 2024

As Halloween creeps closer, things are starting to get spooky. And, following a sell-out tour in 2023, Ghost Stories by Candlelight is back for More. ...

by Laura Lott - October 11, 2024

If you're looking for sparkles, then Aladdin has you covered. The Broadway and West End hit is currently touring the UK and comes complete with heavily sequinned costumes and set pieces so drenched in gold they could have been created by King Midas. It's a slightly uneven production, but there are e...

by Sarah OHara - October 07, 2024

Following a critically acclaimed run in 2019, Girls Don’t Play Guitars is back at Liverpool’s Royal Court. ...

by Cheryl Markosky - October 03, 2024

The Irish are renowned for good story telling. From James Joyce, Oscar Wilde, Samuel Beckett and George Bernard Shaw, to simply a good yarn over a pint in a pub. In a long line of cracking good tales, you couldn't get much better than the new immersive revival of Marie Jones' tragicomedy Stones in H...

by Jess Ashley - September 30, 2024

“In death we are the same” – a phrase which Kelly Jones’ captivating play (…within a play… within a play) beautifully dissects. My Mother’s Funeral: The Show was first developed by Jones through the Mercury Theatre’s Playwrights Development Programme, before being picked up through an open call by P...

by Mica Blackwell - September 30, 2024

The King's Speech achieves something other screen to stage adaptations struggle with: staying true to the spirit while feeling like its own entity. Anchored by a still compelling script and captivating lead duo, the Watermill's production is a beautiful tribute to David Seidler's magnum opus....