From Breakthrough Memoir award winner Sophie Bentinck comes Pauline, a new comedy drama about finding your nan’s suicide note. Written and performed by Bentinck and directed by Fred Wienand (Twelfth Night, Yvonne Arnaud Theatre). This powerful autobiographical piece explores learning to dance with the skeletons in your family closet. Pauline is the story of three generations of women in one family - and of the writer who went digging in the secrets file in order to bring them all on stage. Witness a brutally honest and joyfully hilarious glimpse into what it has meant to be a woman in the Bentinck family as far back as 1921.
In 1967 Pauline prematurely died from an overdose, and fifty years later Sophie found and read her diaries. This led to a journey of self-discovery, exploring mental health, loneliness and half a century of female voices, with no holds barred. Actress and writer Sophie Bentinck said: “I’m the thirty-four year old daughter of Anna, who is the seventy-four-year-old daughter of Pauline. Pauline is dead, Anna has Alzheimer’s; I am writing our story.”
Sophie continues: “Covid struck the night before I was due to perform my one woman show for the very first time. A show in which I tried to deal with the inherited trauma of losing my eccentric, guinness and champagne-loving grandmother to suicide. However, as I tried to keep the memory of Pauline intact during the pandemic, my mum’s memory faded fast, following a diagnosis of Alzheimer’s Disease. The show has now become, through interwoven conversations with mum and my nan’s diary extracts ranging from 1944-1967, an endeavour to give a sense of the interlapping of memory: my own, my mother’s and my grandmother’s, before she decided she had nothing left to say.” Over the pandemic many families were forced to bury their dead without proper funerals or goodbyes. Loss does not always mean physical absence, it can be psychological too. As we begin to take stock of the impacts of Covid, Sophie attempts to combat them and shine a light on some of the darker times. From the postponement of this show in 2020, to the ambiguous grief of losing someone to Alzhiemer’s as well as to suicide, Pauline charts Sophie’s journey, against all odds, to get on that stage at the Fringe and tell the story of all of the women whose shoulders she stands on.
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