With uncertainty still surrounding the support of freelancers in the theatre industry photographer Ali Wright has curated My Latest Role; a series of environment portraits of self-employed creatives who became key workers during the Covid-19 pandemic. The project aims to celebrate the resilience and adaptability of freelance creatives who make up 70% of the theatre industry and to highlight that despite theatres being legally allowed to open on 1 August with social distancing, it is still unclear how the Government's financial package announced on 6 July will support freelancers. The images will be available online here www.mylatestrole.com.
Ali Wright today said, "As a theatre photographer, I lost six months of work overnight and only qualified for a fraction of my previous wage. I was interested in discovering how other freelance theatre artists were coping in this new context. I soon discovered that many across the industry were taking up roles as Key Workers to financially survive, many having been excluded from government assistance, and volunteering as a way to help others in a time of crisis. My Latest Role has been a way for me to play my small part in amplifying the theatre workforces' resilience, adaptability and generosity."
The professionals include:
Ali Wright is a theatre photographer. Her theatre photography credits include The Song Project, Inside Bitch (Royal Court Theatre), The Rise and Fall of Little Voice (Park Theatre), Angry, Islander: A New Musical, How Love Is Spelt (Southwark Playhouse), Little Baby Jesus, Macbeth (Orange Tree Theatre), Coming Clean, La Boheme, Tosca (Trafalgar Studios), The Niceties (Finborough Theatre) and Going Through (Bush Theatre). During lockdown she also photographed theatres across London for SCENECHANGE'S #MissingLiveTheatre campaign which wrapped shut venues across the UK in messages of hope and visibility.
Photo Credit: Ali Wright
Parvinder Shergill
Paris Rivers
Nadia Nadif
Karl Best
Kara Chamberlain
Dev Danzig
Ali Wright
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