DEAD CATS Comes To Devon and Cornwall in May 2023

Contemporary politics is a game without defined rules, where artifice and spin are the tools of choice, and where the moves are made across the boardroom table. When one side wins it almost inevitably profits only a select and privileged few.

In Proto-type's new show Dead Cats, two characters are in the kind of room where they use phrases like 'collateral damage', like 'extraordinary rendition', and like 'perception management'. They cover up their dirty words with clean ones, in rooms like this. In rooms like this the language is laundered, and they redact the names.

Following its premiére at Köln's Theatreszene Europa Festival, Dead Cats performed selected UK dates in 2022 and the tour continues into 2023 including dates at Dartington Hall on Friday 19 May and Constantine's Tolmen Centre on Saturday 20 May.

Focussing on media manipulation, governmental lies, political protest, secrecy, democracy, power, and influence, Dead Cats blends new writing, performance, film-making, and an obvious plant. It shows, rather than tells, the truths behind the fictions. In the witty script by Andrew Westerside, the conversation between unnamed character A (Gillian Lees) and character B (Rachel Baynton) sees them, spar, argue and banter - papering unsavoury truths over with more palatable interpretations. The Reviews Hub said 'Rachel Baynton and Gillian Lees work excellently together (as) the play becomes more and more entertaining, engaging and challenging.'

Gillian Lees said 'In Dead Cats we are investigating the narratives of modern politics and the hierarchies of control that occur through the manipulation of language. That manipulation, of language, of 'truth', allows for the manipulation of reality and in turn, how we form our world view'.

'As recent government announcements and retractions have so clearly (if clumsily) illustrated, it's all about the game - all about the winning - for our politicians, and they'll redefine anything and everything to meet their ever-changing agenda' added Rachel Baynton.

Writer and Director Andrew Westerside explained 'Cronyism is at the root of much political influence, and the route to political influence is corruption and spin, utilising various mechanisms for presenting alternative truths. Or lies if you prefer'.

The Dartington date is something of a homecoming for performer/deviser Rachel Baynton and writer/director Andrew Westerside, both are alumni of Dartington College. Both gradusted in 2005 with BA Hons in Devised Theatre and Andrew also gained an MA in Devised Theatre the following year.

'The training we received at Dartington has been instrumental in the success we have achieved with Proto-type' said Andrew, 'Our careers really started at the college' added Rachel.

Dead Cats is the third Contemporary Stage-play in Proto-type's critically acclaimed Truth to Power Project, their socially-engaged exploration of power, democracy, truth-telling, protest, privacy, conspiracy, and control, and firmly embedded in the present day international political arena.

The previous plays in the series were A Machine they're Secretly Building, which exposed facts behind secret government surveillance 'a smartly intelligent hour-long whizz through the world of surveillance' (Lyn Gardner, The Guardian) and The Audit which examined the human cost of the corporate and personal greed. Both received acclaim from critics and audience alike, 'It made me want to headbutt a bank' (Audience Response).

Dead Cats is written and directed by Andrew Westerside, devised and performed by Rachel Baynton and Gillian Lees, incorporating film and design by Adam York Gregory with an original soundtrack by Paul J. Rogers. It has been made possible through funding from Arts Council England as well as through the continued support of ARC (Stockton), Lincoln Performing Arts Centre, The Lowry (Salford), Theatre-in-the- Mill (Bradford) & hAb/Word of Warning (Manchester).

Proto-type are a company of multi-disciplinary artists led by Rachel Baynton, Gillian Lees, and Andrew Westerside. The company has been making work and supporting young artists in the US, the Netherlands, Russia, China, Armenia, France, Zimbabwe and the UK since 1997. Critics have described their work as 'an intriguing brush with altered reality', (New York Times), 'Smartly intelligent... coolly reasoned theatre' (The Guardian) and 'enthralling' (Zambezi News).

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