A FLEA IN HER EAR Ends Run At The Old Vic March 5, 2011

A Flea in Her Ear, Georges Feydeau's 1907 classic farce translated by John Mortimer and directed by Richard Eyre will end its scheduled run on Saturday 5 March 2011.

'Tom Hollander-so good they cast him twice...Terrifically funny...Richard Eyre's production is a triumph of tightly choreographed chaos' The Independent on Sunday

'Impeccably cast...Richard Eyre's frenetic, precise production is a delight' Time Out
'Tom Hollander mixes manic energy with moments of goggling incredulity...Skilfully executed'

The Evening Standard
'Sparkling... Richard Eyre's delightful revival' The Mail on Sunday

When Raymonde Chandebise (Dillon) suspects her husband Victor (Hollander) of having an affair, she enlists her best friend Lucienne (Glascott) to set a trap to catch him out. Their plan misfires when the anonymous letter they send him suggesting a rendezvous at the Hotel Coq d'Or leads to a hilarious sequence of mistaken identities and bruised egos. John Mortimer's translation of A Flea in Her Ear was originally performed by the National Theatre at The Old Vic in 1966, starring Albert Finney. A subsequent production starring Jim Broadbent was also staged at The Old Vic in 1989.

Director Richard Eyre

Set Designer Rob Howell

Costume Designer Sue Blane

Lighting Mark Henderson

Music Stephen Warbeck

Sound Gregory Clarke
Cast: Greg Baldock, Di Botcher, Peter Cadden, Jonathan Cake, Emma Campbell-Jones, Oliver Cotton, Lisa Dillon, William Findley, Freddie Fox, Fiona Glascott, Tom Hollander, Lloyd Hutchinson, Tim McMullan, John Marquez, William Maxwell, Rebecca Night, Maggie Service, Kirsten Hazel Smith and Walter van Dyk.
A Flea in Her Ear is produced by The Old Vic and Sonia Friedman Productions.

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Partnering The Old Vic

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As a company serving clients in more than 100 countries, and with almost 300,000 associates, Bank of America Merrill Lynch strives to promote greater cultural understanding worldwide in the firm belief that this will lead to improved economic opportunities. Built on a foundation of responsible business practices and good corporate citizenship, the company's global commitment to the arts is demonstrated through its support of a broad range of programmes. These include sponsorship of travelling performances and special exhibitions, and turning the company's art collection into a public resource through the Art in our Communities® programme, lending complete exhibitions to museums and galleries free of charge. In addition, the Bank of America Foundation provides philanthropic support to a range of arts organisations, from grass roots arts education programmes to world-class institutions that play a role in creating a more culturally-aware society.

 

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