Kuss Quartet & Mojca Erdmann at Cemal Resit Rey Concert Hall

Schumann / Reimann Songs Op. 107
Beethoven String Quartet Op 74 No 10 "Harfenquartett"
Chocks Quartet Op 28
Mendelssohn Bartholy / Reimann "or does it mean death"

The most important feature of the interesting community-stealing work on new or old, no matter from which a large repertoire of-interest and carefully approach; corpus is no longer taken for granted, even though they will play one of the standard works, this work is a timely return to the point, they do not ignore that rocked the music world; thus, all comments are fresh, vivid, it's quality and depth. They stood among the world's most distinguished string quartets; so in the most prestigious halls, no need to underline that they take part in the organization considered the most memorable. In 2002, they awarded the first prize of the German Music Council (Deutscher Musikrat), and the new debt String Quartet Competition (Reggio Emilia); Immediately after, they receive a borlotti-Buitoni Award in 2003, started this process, was the first breakthrough in the international arena rather reinforces their visibility. Creative programs, annotated concerts, deep relationships with other disciplines; Kirill Gerstein, Pierre-Laurent Aimard, Mojca Erdmann areas such giants of rap poet from Bas Böttcher extending a wide scale, long-term working partnerships; focused on music and literature MUSIC & LITERATURE; young-audience targeting KUSS PLUS monitors, and an open discussion with complementary projects such as recommending Explor, why are proving they stand in a unique position. Versatile, award-winning, wide repertoire of extraordinary equipped with quality, master soprano Mojca Erdmann is the poetic contribution, interesting music selection will be waiting for us: a singing master of the 20th century, Aribert Reimann's, a homage to their master transcription in nature; A Heine Lieder of Schumann and Mendelssohn Bartholy the voice and string quartet version as well as a fragment of a mature example of the castle such as Beethoven, op. 74, 10. Four; and 20th-century 21.'y the unemployed composer draws a line from Modernism to Post-modernism, to a certain extent also a philosopher, a sensory treatment from the chocks, op. 28 Quartet, constitute the depth of our concert programs.