The season will feature the world premiere of The Year of the Cello, co-created by Marjorie Chan & Njo Kong Kie; the world premiere of Our Place by Kanika Ambrose & more.
Theatre Passe Muraille has unveiled its soul-stirring 22.23 season today, platforming new and compelling interdisciplinary work from a diverse range of voices. The eclectic season begins with a Festival presentation, which then gives way to a robust seven-production line-up. Additionally, the company has expanded on its Buzz in-development program, introducing a new creation unit called VUKA, led by Tsholo Khalema, an initiative aimed at further supporting Black artists.
"Over the past few years, we re-examined our relationship with the world and each other. Even as we return to in-person performances, the landscape has changed. One thing remains to be true: Theatre and art continue to fill our hearts and answer our need to connect, be seen and collectively witness." Says Marjorie Chan, Artistic Director of Theatre Passe Muraille. "Sharing the stories of our communities, we continue to affirm the humanity of those not often represented on our stages and do so in the most innovative and accessible ways possible. By doing so, we create space for dialogue, bridges for connection and hope for a kinder, inclusive society."
In the first full season for the company since 2019, Theatre Passe Muraille will continue its storied roots in Canadian theatre, taking new work through the development cycle and increasing in-house and co-productions with five exciting world premieres. This 22.23 season, TPM continues to reflect the multifaceted city it calls home: presenting work that is energetic, thoughtful, and with a point-of-view that doesn't shy away from questioning the status quo.
The 22.23 programming begins in September with the presentation of Aluna Theatre's RUTAS Festival, presented in partnership with Theatre Passe Muraille and Factory Theatre. After a four-year hiatus, the fifth edition of the festival returns to connect the Americas through arts by featuring local, national and International Artists. Hosting performances and conversations that inspire us to collectively envision a more inclusive world, RUTAS will present work in both the Mainspace and Backspace from September 22nd to October 9th.
In October, Theatre Passe Muraille and Music Picnic partner to present the world premiere of THE YEAR OF THE CELLO, co-created by Marjorie Chan and Njo Kong Kie. This imaginative and poetic piece is set in the 1920s to 30s in Hong Kong. The story is told by Wen, as her and her friend Li-an's lives are changed forever by an encounter with the Cellist, whose music unlocks all that was left unspoken. Performed alongside a live cello performance, THE YEAR OF THE CELLO is a lament for loves lost and a Hong Kong that once was.
In November, Theatre Passe Muraille and Cahoots Theatre present the world premiere of OUR PLACE by Kanika Ambrose, originally programmed in the 20.21 season. OUR PLACE tells the story of Andrea and Niesha who work in exchange for cash under the table at Jerk Pork Castle in Scarborough. As the two scrape out a life in Canada, they must also navigate their status as undocumented women. A funny, keenly observant show and a timely story of those who are rendered invisible in a 'welcoming' Canada.
Through stacks of books, Theatre Passe Muraille becomes an immersive multimedia experience in MIRIAM'S WORLD by Naomi Jaye. Based on Martha Baillie's Giller long-listed novel, The Incident Report, patrons are invited to move from screen to screen inside the library room. This world premiere production is a wry look into the life of librarian Miriam Gordon and a group of library patrons who frequent the branch where she works, and exposes the dark, and often humorous side of urban life and issues. The voyage into librarian Miriam Gordon's life takes place in December in the Theatre Passe Muraille Mainspace.
Emerging from Theatre Passe Muraille's Buzz in-development program, OKAY, YOU CAN STOP NOW, has its world premiere in February both in the Mainspace and in a digital format. This production, choreographed by Shakeil Rollock, has been in development with Theatre Passe Muraille since 2019. Four performers are invited into a landscape full of newspapers. Over time, the weight of the news gets the better of each individual. How do we move forward once history has indelibly been changed forever? When does it become our own lived history? Through physical exploration, personal accounts and collective experience, each performer navigates their relationship to privilege and power.
In February, Theatre Passe Muraille and Aluna Theatre present the world premiere of RUBBLE by Suvendrini Lena in the Mainspace, which was also developed in Passe Muraille's BUZZ program and with support from Pandemic Theatre. In RUBBLE, a mother and her family receive a courtesy call, "you have 58 seconds to leave home before an explosion. Run." From this point on, we travel backwards through time. In an abandoned theatre (a space created between actors and audience), we are invited to examine the question: what is the meaning of poetry in the midst of war?
In April, Theatre Passe Muraille presents the Toronto premiere of Delinquent Theatre's award-winning production of Molly MacKinnon and Christine Quintana's play NEVER THE LAST. Nominated for five Jessie Richardson Theatre Awards and the winner of Significant Artistic Achievement: Outstanding Interdisciplinary Collaboration, NEVER THE LAST follows Sophie-Carmen Eckhardt-Gramatté and her passionate relationship with the expressionist painter Walter Grammatté. The couple's 10 years of marriage are marked by adventure, poverty, artistic strife and tragedy. Woven with violin solo and original text, we are invited to witness the two artists in love and the increasing space between them.
Closing out the 22.23 season in April, Theatre Passe Muraille and ReDefine Arts present TRACE by Tristan R. Whiston and Moynan King. TRACE is an interactive and interdisciplinary performance piece that focuses on the ongoing nature of "queer-becoming." Beginning with the literal and metaphorical exploration of Whiston's singing voice during gender transition, trace integrates sound art, music, video, and live performance. Original compositions made from archival recordings of Whiston's singing and speaking voice at different stages of his gender transition are mixed live into a multi-track soundscape to create an immersive and interactive experience.
The 22.23 season also sees the expansion of Passe Muraille's Buzz in-development program with the introduction of a new creation unit facilitated by Tsholo Khalema. Focused on Black new career artists, VUKA (which means rise or wake in Zulu) will support three theatremakers in a devised process. Other current artists in residence include Jenn Forgie (Seven Pieces, 2nd year); Coleen Shirin MacPherson (Erased, 3+ years); Silk Bath Collective (Woking Phoenix, 3+ years); Charlie Petch (No one's special at the hot dog cart, 2+ years); Nancy Kenny and Edwige Jean-Pierre (2 Francophone works with Dramaturgy by Merlin Simard). Working with digital technologies are Nautanki Bazaar (Kanishka); Luke Reece (Building Relationships with the World, 2+ years); Merlin Simard and Gabe Maharjan (Gender Euphoria, 2nd year). The Buzz program focuses on creating an artistic process that places the art and artist at the centre. This is accomplished in various ways including workshops, dramaturgy, and public presentations as well as in ways which cannot yet be anticipated or defined. Theatre Passe Muraille aspires to empower the artist throughout their development in methodologies that work for them.
Tickets for the RUTAS festival are available now while the remaining 22.23 season will become available on September 1st. Pricing is Pay-What-You-Can-Afford at three price points, $10, $30 and $60. Theatre Passe Muraille continues its commitment to accessibility by offering features such as audio descriptions, translations, captions, ASL Interpretation and relaxed performances. Additionally, the company has extended its accessible transportation fund, for patrons who may require accessible transportation to and from the theatre. (This initiative will be available for all shows until the fund is depleted.) Community engagement is at the heart of how TPM sees its impact beyond the walls. Community programming includes both in-person and virtual events, most of which are available for free. As well, TPM will be programming ancillary community art projects, with details to come. To learn more about Theatre Passe Muraille's accessibility initiatives, season and to buy tickets please visit passemuraille.ca.
Theatre Passe Muraille 22.23 Season
Presented by Aluna Theatre, in partnership with Theatre Passe Muraille and Factory Theatre
September 22 - October 9 in the Theatre Passe Muraille Mainspace and Backspace
An International Festival of Performances, RUTAS festival comes back after four years with its 5th edition festival. Artists across the Americas are invited to re-think the routes of a world that includes us all.
A Theatre Passe Muraille and Music Picnic co-production world premiere
October 15 - 29 at the Theatre Passe Muraille Backspace (also available in a digital format)
Blind-friendly, digital audio version created with binaural sound available
Co-created by Marjorie Chan and Njo Kong Kie
"The Cello, relentless, eternal, infinite in its beauty. I want to drown in its sound."
Wen and her friend Li-An are forever changed by their encounter with the Cellist, whose music unlocks all that was left unspoken.
Co-created by Marjorie Chan and Njo Kong Kie, The Year of the Cello is told poetically, culminating in a lament for loves lost, and a Hong Kong that once was.
Content warnings: Inferences of abuse and suicide, Descriptions of disease
A Cahoots Theatre and Theatre Passe Muraille co-production world premiere
November 16 - December 3 at the Theatre Passe Muraille Mainspace
Presented with captions and AD
By Kanika Ambrose
our place takes us to Jerk Pork Castle in Scarborough- "if you don't know about it, you better be about it and ask about it!"- where newcomers Andrea and Niesha work in exchange for cash under the table. As the two scrape out a life in Canada, they must also navigate their status as undocumented workers. This funny, keenly observant script unveils the lives of these undocumented Caribbean workers who go to desperate lengths to get Canadaian citizenship - a moving, timely story of those rendered invisible in a 'welcoming' Canada.
A Theatre Passe Muraille production world premiere
December 9 - 18 at the Theatre Passe Muraille Mainspace
By Naomi Jaye, based on a novel by Martha Baillie
Through stacks of books, Theatre Passe Muraille becomes an immersive multimedia experience, Miriam's World. Based on Martha Baillie's Giller long-listed novel, The Incident Report, patrons are invited to move from screen to screen inside the library room. This voyage into librarian Miriam Gordon's life, is laid out like a journal, and exposes the dark, and often humorous side of urban life and issues.
"We, the public libraries of Toronto, lend books to any person living, studying, or working in the city of Toronto. We discourage all our patrons from urinating indiscriminately, singing loudly, snoring, drying socks on the heating vents, verbally or physically assaulting each other, cutting out the colourful pictures from our cookbooks, writing in library materials, licking or kissing the lingerie advertisements in the magazines we lend, and stealing library property."
Content warnings: Underhoused experiences, mental illness, suicide
A Theatre Passe Muraille production world premiere
February 5 - 12, 2023, at the Theatre Passe Muraille Mainspace and in a digital format
By Shakeil Rollock
Okay, You Can Stop Now is a physical theatre experience that explores how we deal with, manipulate, and come to terms with information. Four performers are invited into a landscape full of newspapers: a tangible form of journalism. Over time, the weight of the news gets the better of each individual.
Through personal accounts and collective experience, each performer navigates their relationship to privilege and power: how do we move forward once history has indelibly been changed forever? When does it become our own lived history?
A Theatre Passe Muraille and Aluna Theatre co-production world premiere
February 25 - March 19, 2023, at the Theatre Passe Muraille Mainspace
Presented in Arabic and English, with captions
By Suvendrini Lena
Gaza. A mother and her family receive a courtesy call: "You have 58 seconds to leave your home before an explosion. Run."* From this point on, we travel backwards through time, through a siege spanning 2000 years. In a theatre, broken but not abandoned, hear the voice of late Palestinian National Poet Mahmoud Darwish*, and examine the urgent question: what is the meaning of poetry in the midst of war? What is our responsibility as we read, write, hear, and witness the survival of the human spirit in poetry?
*quote from Lena Khalife Tuffaha's poem Running Orders | *as translated by poet palestinian poet Fady Joudah | Rubble is made with the poetry of Lena Khalife Tuffaha, Fady Joudah and Mahmoud Darwish, used with permission.
A Theatre Passe Muraille presentation of a Delinquent Theatre production Toronto premiere
April 8 to 16, 2023, at the Theatre Passe Muraille Mainspace
By Molly MacKinnon and Christine Quintana
This is a story of the fascinating composer from the last century, Sophie-Carmen Eckhardt-Grammatté, whose work was almost lost in the male-dominated classical music field, until she immigrated to Canada.
Never The Last follows Sophie and her passionate relationship with the expressionist painter Walter Grammatté. The couple's 10 years of marriage is marked by adventure, poverty, artistic strife and tragedy. Woven with violin solo and original text, we are invited to witness the two artists in love, and the increasing space between them.
Nominated for 5 Jessie Richardson Theatre Awards, and winner for Significant Artistic Achievement: Outstanding Interdisciplinary Collaboration.
A Theatre Passe Muraille and ReDefine Arts co-production
April 20 - 30, 2023, at the Theatre Passe Muraille Mainspace
By Tristan R. Whiston and Moynan King
trace, created by Tristan R. Whiston and Moynan King, is a sound-based, interdisciplinary performance piece that focuses on the ongoing nature of queer being and becoming.
Beginning with the literal and metaphorical exploration of Whiston's singing voice during gender transition, trace integrates sound art, music, video, and live performance. Original compositions made from archival recordings of Whiston's singing and speaking voice at different stages of his gender transition are mixed live into a multi-track soundscape to create an immersive and interactive experience.
The piece explores representation and identity as embodied processes, paying particular attention to queer vocality and the voice in gender transition. trace asks how we reconcile all of who we have been, with who we are now, and who we are yet to become.
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