The work of George Frideric Handel, a supreme artist of the Baroque era, returns to the Canadian Opera Company stage this fall in the long awaited company premiere of Ariodante.
This new COC co-production is staged by celebrated theatre and opera director Richard Jones with a cast led by two opera stars: British mezzo-soprano Alice Coote and Canadian soprano Jane Archibald. COC Music Director Johannes Debus conducts the piece heralded as Baroque opera at its best.
Ariodante runs for seven performances on October 16, 19, 22, 25, 27, 29 and November 4, 2016.
Ariodante is unique from Handel's other compositions, standing out as a simple, romantic and sincere work that expresses a love story free of artifice. Director
Richard Jones, who staged the critically acclaimed The Queen of Spades for the COC in 2002, delivers a production that "gets to the heart of this opera's distinctive melancholia" (The Telegraph) in his telling of Handel's tale about the conflict between love and duty as Ariodante and his love Ginevra are brutally separated by the lies of a jealous rival.
Jones envisions a more modern setting for Ariodante that plays with the formality of work's 18th-century origins. He sets the melodrama against the backdrop of a remote island village creating the look and feel of a closed-off community that honours the attitudes and social hierarchy of the source material's storyline of Scottish royalty. Sets and costumes are by Olivier Award-winning designer ULTZ with the production's striking use of puppetry created by puppetry director/designer
Finn Caldwell and puppetry designer Nick Barnes. Ariodante is lit by award-winning opera and theatre lighting designer
Mimi Jordan Sherin with choreography by Lucy Burge.
Handel's operas are distinguished by magnificent musical virtuosity that powerfully and genuinely captures the emotional core of its characters. The COC's Johannes Debus makes his Handel debut conducting Ariodante, one of the composer's most radiantly beautiful scores, leading a dream cast and the acclaimed COC Orchestra and Chorus.
British mezzo-soprano
Alice Coote, after delivering stunning turns in the COC's Ariadne auf Naxos (2011) and Hercules (2014), returns in the trouser role of Ariodante. The wide-ranging expressive music of the hero role is a stirring showcase for the world renowned mezzo's artistry, whose performances are described as "breathtaking in [their] sheer conviction and subtlety of perception" (The Times) and her voice as "beautiful, to be sure, but, more importantly, it thrills you to the marrow" (The Daily Telegraph).
The equally incomparable Canadian soprano
Jane Archibald makes her role debut as Ginevra, Ariodante's wronged fiancé. Archibald once again brings her "unbelievable mastery of singing, controlled with apparent ease ... combined with a remarkable dramatic presence" (Le Figaro, FR) to the COC stage after successive performances delivered to critical and popular acclaim in Ariadne auf Naxos (2011), Semele (2012), Don Giovanni (2015), Semele at the
Brooklyn Academy Of Music (2015), and The Marriage of Figaro (2016).
Armenian mezzo-soprano Varduhi Abrahamyan has been called a "revelation" by the New York Times and makes her Canadian debut in the trouser role of Polinesso, the jealous rival of Ariodante. Rising Canadian coloratura soprano, and COC Ensemble Studio graduate, Ambur Braid is Dalinda, Ginevra's maid and Polinesso's unwitting accomplice.
Fellow Ensemble Studio graduate, Canadian tenor Owen McCausland is Ariodante's vengeful brother, Lurcanio. Ensemble Studio tenor Aaron Sheppard is the courtier Odoardo.
The unattributed libretto for Ariodante is based on Antonio Salvi's libretto for the opera Ginevra, principessa di Scozia, which drew inspiration from sections of the epic Italian romance poem Orlando furioso by Ludovico Ariosto and, in turn, was the inspiration for Shakespeare's Much Ado About Nothing. Ariodante premiered in London on January 8, 1735. While initially successful, Ariodante fell into obscurity for almost 200 years until revived in the 1970s and subsequently came to be considered one of Handel's finest operas.
This new production of Ariodante is a COC co-production with Festival d'Aix-en-Provence, Dutch National Opera and Lyric Opera of Chicago.Ariodante is sung in Italian with English SURTITLESTM.
The COC performs Ariodante at the Four Seasons Centre for the Performing Arts. The COC's 2016/2017 marks the 10th anniversary of the Four Seasons Centre, Canada's first purpose-built opera house, which opened in fall 2006 and has been hailed internationally as one of the finest in the world.
Single tickets for Ariodante range from $35 - $235 and box seats, when available, are $350. Tickets are now on sale, available online at
coc.ca, by calling 416-363-8231, or in person at the Four Seasons Centre for the Performing Arts Box Office (145 Queen St. W.). For more information on specially priced tickets available to young people under the age of 15, standing room, Opera Under 30 presented by TD Bank Group, student groups and rush seating, visit
coc.ca.
Based in Toronto, the Canadian Opera Company is the largest producer of opera in Canada and one of the largest in North America. The COC enjoys a loyal audience support-base and one of the highest attendance and subscription rates in North America. Under its leadership team of General Director Alexander Neef and Music Director Johannes Debus, the COC is increasingly capturing the opera world's attention. The COC maintains its international reputation for artistic excellence and creative innovation by creating new productions within its diverse repertoire, collaborating with leading opera companies and festivals, and attracting the world's foremost Canadian and International Artists. The COC performs in its own opera house, the Four Seasons Centre for the Performing Arts, hailed internationally as one of the finest in the world. Designed by Diamond Schmitt Architects, the Four Seasons Centre opened in 2006. For more information on the COC, visit its award-winning website, coc.ca.
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