Review: THE JUST is Compelling and Hauntingly Relevant

The world premiere of Bobby Theodore's translation of THE JUST by Albert Camus is now playing at Soulpepper. Directed by Frank Cox-O'Connell, this new adaptation of the 1949 French play set in Russia, follows the paths of five socialist revolutionaries plotting terror attacks against the Grand Duke of Russia in the early 1900s. The ensemble cast led by Raquel Duffy (Dora) and Peter Fernandes (Voinov) also features Katherine Gauthier, Diego Matamoros, Gregory Prest and Brendan Wall.

Based on the assassination of Russian Grand Duke Sergei Alexandrovich, THE JUST is set in a small apartment across the street from the theatre of his planned attack. Voinov and Dora lead a group of self-proclaimed extremists to plot the demise of the Grande Duke. Newly escaped prisoner Stepan (Brendan Wall) joins the group with a no holds barred mindset to finish the task set out by the team. Their plan goes astray when Yanek (Gregory Prest) has a conflicting opinion on the direction the organization should take.

THE JUST raises an interesting narrative on the importance and perception of what justice is. The differing viewpoints of Stepan and Yanek cause tension within the organization as time is ticking before the Grand Duke's arrival. This beat-the-clock narrative is fast paced and keeps audiences on edge as the five stitch together a plan of attack. The story based around the early 1900s is hauntingly relevant with issues going on around the world. Are these people brave revolutionists or simply murderers? Theodore's translation brings this compelling important story to new audiences.

Brendan Wall showcases his powerful talent as the authoritative and aggressive Stepan. From his first step on stage, Wall commands the material in a convincing and powerful way. His energy and commitment translates through the other cast members in this intimate and fast-paced staging. Duffy and Fernandes are also great in their roles, conveying a strong range of emotion in this difficult piece of theatre. Duffy's portrayal of Dora's fear and worry for Yanek is simply moving.

The short-lived cameo of Katherine Gauthier as the Grand Duchess in the second act falls short and feels out of place. While her simple delivery and solemn presence could match her grief as a newfound widow, it seems lifeless and unrefined. At times, Prest's Yanek also lacks focus and fails to deliver the same emotional strength as some of the other cast.

Set & Lighting Designer Ken MacKenzie shines as the intimate central staging is beautifully crafted. It's central staging creates an enticing atmosphere as the audience looks in from both sides of the stage. The seamless transformation of the small apartment to a prison cell is top notch. Paired with strong visual, lighting and sound cues, THE JUST draws the audience into this thrilling drama.

THE JUST is an engaging, smart and compelling piece of theatre paired with high production value in its intimate and beautifully crafted staging.

On stage through March 26 at the Young Centre for the Performing Arts, 50 Tank House Lane. Visit soulpepper.ca for more information.

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