Review: INCIDENT AT VICHY is a Chilling Reminder of our Past

Alan Dilworth delves into Arthur Miller's library for a take on one of his lesser known plays, the one-act INCIDENT AT VICHY. A chilling tale of a scene at the brink of the second World War, the play follows the events of an interrogation room as a group of men await their fate as authorities validate their papers. INCIDENT AT VICHY features a stellar collection of Soulpepper actors, top lined by Diego Matamoros and Stuart Hughes.

The roughly 90-minute production takes place on a stark and slate stage with a single bench covering the majority of its width. On the bench, sit a collection of diverse men - awaiting their turn in an interrogation room with French authorities. The men unsure of why they were brought in, soon come to a realization that they share one thing in common: their Jewish faith. It's a heart sinking moment as audiences are transported to one of the dark times in our past. It's even more heartbreaking to see each man go into the interrogation room - with few making it out. The different characters share bits of their story, their past and their fears - all while awaiting their looming fate.

Matamoros and Hughes, the last two men on the stage are the culmination of an hour and a half of tension and despair. Their interactions are truly inspiration - both embodying very different characteristics for their roles. Without spoiling their arc, the play ends on a spine-tingling note because of their performances and decisions of their characters.

Dilworth also highlights Soulpepper's diverse breadth in talent with his colour blind casting - which intentional or not, adds a painstaking metaphor to today's ongoing struggles with diversity and inclusion. Peter Fenandes and Kawa Ada are just few of the many strong, diverse actors featured in this production. Courtney Ch'ng Lancaster - though a small supporting role, also illustrates this blind casting and adds a level beyond just race. This illustrates the power of casting and direction to reinvent older plays to still read as relevant in today's society.

The material may be largely unknown and lack the depth and complexities to explore the characters and plot further. But it's hugely packed and satisfying enough to deliver a small and powerful message. For me, Dilworth's direction and casting are what make this production come to life.

INCIDENT AT VICHY IS playing the Young Centre for the Performing Arts until June 25, 2016. For tickets and more information, visit soulpepper.ca

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