Season Two of SF Opera Lab comes to a close this month with two concerts exploring a rich tapestry of sound worlds within the intimate and state-of-the-art Taube Atrium Theater at San Francisco Opera's Diane B. Wilsey Center for Opera. The “remarkable vocal octet” (New York Times) Roomful of Teeth makes their San Francisco debut onApril 23 in a sold-out “Shaw & Shakespeare” program co-presented with San Francisco Performances' PIVOT series. On April 27, musicians of the San Francisco Opera Orchestra curate and perform an evening of ChamberWORKS featuring music by William Presser, John Mackey, Anton Arensky and Luigi Boccherini.

San Francisco Opera's Education Department will present its 2nd annual ARIA (Arts Resources in Action) Festival, Youth Voices for Change, on Saturday, May 6 at the Diane B. Wilsey Center for Opera from 10:00 a.m.–5:00 p.m. 

The 2017 Schwabacher Debut Recitals series concludes on Sunday, April 30 at 5:30 p.m., with a recital by a trio of San Francisco Opera Adler Fellows featured with collaborative pianist Warren Jones in a program of Italian and French repertoire.

 The 34th season of Schwabacher Debut Recitals continues on Sunday, April 9 at 5:30 p.m. in the Dianne and Tad Taube Atrium Theater with mezzo-soprano Renée Rapier, bass Anthony Reed and pianist and San Francisco Opera Head of Music Staff John Churchwell. They will present The Woods: A Rom-Com Recital, a series of songs by American composers compiled by Reed into a narrative with original dialogue. The performance will be directed by first-year San Francisco Opera Adler Fellow Aria Umezawa.

San Francisco Opera Education presents Up in the Mountains, an interactive performance created for infants to 3 year olds with accompanying parent(s) or guardian(s). Up in the Mountains combines words, song, gesture and visual media to tell a story inspired by fairy tales.

La boheme is a passionate story of love among young artists in Paris. Mimi spends her days embroidering and her winter evenings longing for springtime. Literally in search of light, a match for her only

SF Opera Lab presents three performances of Francis Poulenc's 1958 monodrama La Voix humaine (The Human Voice) starring internationally acclaimed soprano Anna Caterina Antonacci with pianist Donald Sulzen on March 11, 14 and 17, 2017.

San Francisco Opera Center and the Merola Opera Program present the 34th season of the Schwabacher Debut Recitals, opening on March 26 and continuing through April 30.

SF Opera Lab pops up at the Uptown Nightclub in Oakland on March 23, 2017 with Hands-On Opera, an interactive night of operatic fun and mischief.

SF Opera Lab pops up at the Uptown Nightclub in Oakland on March 23, 2017 with Hands-On Opera, an interactive night of operatic fun and mischief. This SF Opera Lab event, the first to be held outside of San Francisco, will be curated by stage director and current San Francisco Opera Adler Fellow Aria Umezawa and feature performances by Adler Fellows including sopranos Sarah Cambidge and Amina Edris; tenors Amitai Pati and Kyle van Schoonhoven; baritone Andrew G. Manea; bass-baritone Brad Walker; bassAnthony Reed; and pianists Jennifer Szeto and Ronny Michael Greenberg. Dancing will follow the performance with a live DJ.

F Opera Lab presents composer TedHearne's universally acclaimed digital-age oratorio The Source, drawn from the contents of Chelsea Manning'sWikiLeaks release and called 'some of the most expressive socially engaged music in recent memory-from any genre' by Pitchfork. Previously performed in New York City and Los Angeles.

SF Opera Lab presents three performances of Francis Poulenc's 1958 monodrama La Voix humaine (The Human Voice) starring internationally acclaimed soprano Anna Caterina Antonacci with pianist Donald Sulzen on March 11, 14 and 17, 2017.