Damien Sneed Joins The Staff Of The Houston Grand Operaby BWW News Desk - September 11, 2018Multi-genre recording artist Damien Sneed, a Sphinx Medal of Excellence recipient, joins the acclaimed staff of the Houston Grand Opera (HGOco) as Music Director and Composer in Residence. As such, Sneed will work on new commission projects, compose a new work for HGOco, and serve as cover conductor for HGO mainstage productions under Patrick Summers, Artistic and Music Director. HGOco Commissions New 'Song of Houston' Operasby BWW News Desk - August 7, 2017HGOco, Houston Grand Opera's community collaboration and education arm, has launched the next phase of itsSong of Houston initiative with commissions from two rising composer/librettist teams. Home of My Ancestors, by composer Nkeiru Okoye and librettist Anita Gonzalez, will premiere in March 2019. The not-yet-titled second opera, by composer Nell Shaw Cohen and librettist Megan Cohen, will premiere in March of 2021. A third commission will be announced at a later time. The award-winning Song of Houston is an initiative within HGOco that has been creating new works based on stories that define the unique character of Houston since 2007. Houston Grand Opera Appoints New Marketing Directorby BWW News Desk - June 30, 2017Houston Grand Opera (HGO) has appointed Dale Edwards, a veteran of the New York performing arts marketing and advertising world, to the position of marketing director, it was announced by HGO Managing Director Perryn Leech. He assumes the position July 24. Houston Grand Opera Presents Götterdämmerung, 4/22by BWW News Desk - March 10, 2017Houston Grand Opera presents Gotterdammerung (Twilight of the Gods), the final installment of Wagner's epic Ring cycle, featuring a new generation of leading Wagnerians including Simon O'Neill as Siegfried and Christine Goerke as Brunnhilde, starting April 22. Opera in the Heights Announces 2017-18 Seasonby BWW News Desk - March 1, 2017Opera in the Heights (OH) announces its 2017-18 season, a diverse collection of masterworks, which artistic director Eiki Isomura calls 'a representation of what we value most at Opera in the Heights.' In describing the company's four main stage productions, Isomura states, 'There is no better showcase for the vocal virtuosity of our emerging artists than La Fille du Regiment. And there is no better gateway into the art form for our younger audiences than The Magic Flute,' says Isomura. 'The grandeur of Un Ballo in Maschera finds its most potent expression in the intimacy of our venue, Lambert Hall. Finally, Candide will highlight our brilliant OH Orchestra and give us an opportunity to honor the past with Leonard Bernstein's upcoming centennial and, at the same time, further expand our repertoire.'
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