Today we are highlighting even more clips from a flight of fancy celebrated for over 150 years - Tchaikovsky's classic SWAN LAKE, arriving this Thursday in 3D!

Today we are presenting a spotlight on one of the most popular Broadway/Hollywood crossover stars of the decade who is quickly rising up the ranks on stages and on screens around the world with his impressive work in an vast array of projects on Broadway, in Hollywood and on TV - exemplified tomorrow night in the premiere of his new USA series, GRACELAND - the affable and acclaimed Aaron Tveit.

Today we are highlighting a particularly entertaining flight of fancy famous for its many memorable musical moments and the enchanting, timeless story of the passionate love of a swan - Tchaikovsky's SWAN LAKE.

Five-time Tony Award-winning Broadway icon Audra McDonald presented an absolutely spectacular PBS concert as the conclusion of this year's 2012-2013 Live From Lincoln Center series on PBS with AUDRA MCDONALD: GO BACK HOME last Friday night, and, now, the official PBS site is offering even more material from the special that did not make the TV cut due to time constraints.

Now one of the most successful movie musicals of all time, LES MISERABLES triumphantly arrives on DVD and Blu-ray today, so it is an exceptionally apropos time to assess the many vaunted virtues and the legendary history of this spectacular mega musical and pay tribute to some of the best versions of some of its famous anthems now that we can, well, bring it home.

To go along with today's extensive InDepth InterView with comedy legend Joan Rivers, enjoy two exclusive clips from tonight's episode of JOAN & MELISSA: JOAN KNOWS BEST? on WE TV at 9 PM.

Today we are celebrating one of the most beloved special entertainment events of all time - originally an original musical written for television, presented live, actually - which has now been retrofitted, refigured and wholly reinvented into an entirely new experience live on Broadway byway of the brand new stage adaptation of Rodgers & Hammerstein's CINDERELLA, which opens this weekend!

Today we are shifting our focus from the stages of Broadway and beyond to the stages of the previous 84 Academy Awards telecasts that have transpired to date, in anticipation of Sunday night's big, big, big show. After all, this year's Academy Awards is of particular interest and excitement to theatre fans around the globe, especially because super-producers Craig Zadan and Neil Meron are behind it - the men responsible for the hit stage-to-screen adaptations of CHICAGO and HAIRSPRAY, as well as the small-screen successes GYPSY, LIFE WITH JUDY GARLAND: ME & MY SHADOWS, ANNIE, and, most recently, NBC's musical series SMASH, to name a few of their many marvelous musical-friendly credits. They told me themselves earlier this week that this year's telecast would be the most music-packed Academy Awards show to date, and, just judging from the announced tributes, performers and presenters thus far it is clear to see that they were not kidding - reunions of the casts of the film versions of CHICAGO and LES MISERABLES live onstage, singing their film's most famous songs to Jennifer Hudson leading a DREAMGIRLS tribute all the way to a James Bond 50th anniversary celebration featuring Adele and Shirley Bassey on some famous Bond themes, as well as Barbra Streisand herself singing 'The Way We Were' in memory of friend and collaborator, three-time Oscar-winner Marvin Hamlisch.

As enticing as a Valentine's Day bouquet, as delectable as a box of chocolates and as heartwarming as a kiss from your betrothed, today we are honoring one of Broadway's most romantic musicals - absolutely perfect to take in on a big date-night like tonight, no doubt - NICE WORK IF YOU CAN GET IT, as well as the sumptuous, sonorous songs of George & Ira Gershwin - those featured within it and far beyond. "S'Wonderful" to "Someone To Watch Over Me" to "An American In Paris", "Rhapsody In Blue" and more, this clip collection is the ideal way to fall under the spell of Cupid's arrow and enjoy Broadway songwriting at its very best.

With news coming late this week of a revised and reworked edition of the Cole Porter/Abe Burrows Golden Age musical CAN-CAN aiming for a reading in October and the possibility of a potential major production thereafter, now seems like a tres bien moment in time to glance back at the underappreciated charms of this alluring, Paris-set show. Plus, from Gwen Verdon, Patti LuPone, Eartha Kitt, Shirley MacLaine and Chita Rivera to Frank Sinatra, Dean Martin, Kelly Clarkson, MAD MEN's Christina Hendricks and many more, this clip collection has more than just an errant bright bulb or two to add to the already magnificent and romantic sights of the city of lights.

Today, in honor of the release of the complete Season One of NBC's hit musical drama series SMASH on DVD, we are revisiting some of the most memorable and truly tremendous musical numbers from the show so far - all available on the four-disc box set, available now - as we anticipate the grand return of the show on February 5. A look at Season Two, too!

While many MIZ-heads may have assumed the film adaptation of their beloved musical would never actually come to fruition, here it really is, all too soon available for all to see - lo, more than twenty years after it was first announced byway of an official promo ad in a tour souvenir going as far back as the late-1980s. I was lucky enough to catch an advance screening during the dawning days of December and many small moments, full musical sequences and my first impressions themselves have filled me with a certain kind of inexpressible enrapturing ecstasy heretofore inexperienced, coming as a direct result, no doubt, of the sheer force of power the film exacts in its relentless, barreling, blazingly bravado-bedecked style - a style, I can firmly say, is completely unique in movie history. LES MISERABLES is a lot of things, but, first and foremost, it is that which it is unlike that makes it most remarkable of all; that is: it is unlike any movie musical ever made. And, it is a masterpiece.

As a companion column to this weekend's extensive, exclusive InDepth InterView with Broadway and Hollywood star Patrick Wilson, today, let's take a look at twenty takes (or so) of this versatile and multi-talented stage and screen star in a vast array of impressive roles - everything from showing off his vocal chops with a live duet of an Andrew Lloyd Webber anthem from THE PHANTOM OF THE OPERA with SHAMELESS star Emmy Rossum to showing it all with a fully-bared FULL MONTY performance to trailers for some of his most impressive film performances (ANGELS IN AMERICA, LITTLE CHILDREN, HARD CANDY, WATCHMEN and INSIDIOUS among them) to his most recent work in PROMETHEUS, YOUNG ADULT and the forthcoming THE CONJURING. Plus, a charming GAP ad with Claire Danes, a hilarious College Humor Clip, the National Anthem and much, much more!

Today we are celebrating the classic holiday-themed ballet that originally premiered one week prior to Christmas Day exactly 120 years ago, Pyotr Ilyich Tchaikovsky's THE NUTCRACKER. The ideal respite from the holiday rush, Fathom Events will be presenting the all new 3D film presentation of Tchaikovsky's THE NUTCRACKER on December 3, starring members of the very ballet company of the theater in which the fantastical family-friendly fable first debuted, the Russian Imperial Mariinsky Theatre.

As a super-special companion column to this week's extensive InDepth InterView with nine-time Tony Award-winning performer/choreographer/director Tommy Tune, please enjoy this selection of the most pertinent and eye-popping moments from Tune's tremendous career, covering many of his best-loved and most fondly remembered musicals to date - among them: THE BEST LITTLE WHOREHOUSE IN TEXAS, NINE, GRAND HOTEL, MY ONE & ONLY, THE WILL ROGERS FOLLIES and more!

Anything Barbra Streisand-related is well worth attending (are you kidding?!), and on Friday, October 5, there was an invited dress rehearsal on the Temple University campus in the Liacouras Center as Barbra Streisand: BACK TO BROOKLYN got its feet wet for the first time in front of about a thousand people.

Flocking back to movie theaters nationwide on Wednesday, September 19, Alfred Hitchcock's THE BIRDS is the latest in a seriously impressive series of classic films being re-released for one night only in HD with special attendant interviews and behind-the-scenes features, hosted by noted film historian Robert Osborne, as part of an unprecedented, ongoing Turner Classic Movies film festival hosted by NCM Fathom-equipped cinemas. This special presentation of THE BIRDS will begin with an introduction, mini-documentary and interview with film star Tippi Hedren prior to the presentation of the film itself, so, today let us take a look back at one of the most influential and terrifying films of the 1960s, as well as the formidable icon who made it, Alfred Hitchcock.

Flocking back to movie theaters nationwide on Wednesday, September 19, Alfred Hitchcock's THE BIRDS is the latest in a seriously impressive series of classic films being re-released for one night only in HD with special attendant interviews and behind-the-scenes features, hosted by noted film historian Robert Osborne, as part of an unprecedented, ongoing Turner Classic Movies film festival hosted by NCM Fathom-equipped cinemas. This special presentation of THE BIRDS will begin with an introduction, mini-documentary and interview with film star Tippi Hedren prior to the presentation of the film itself, so, today let us take a look back at one of the most influential and terrifying films of the 1960s, as well as the formidable icon who made it, Alfred Hitchcock.

Early Saturday morning, legendary lyricist Hal David passed away at the age of 91, so today we will be celebrating his life by partaking in some of the most memorable and entertaining moments from his starry, sixty-year career as captured on the internet.

Slipping and sliding back into Fathom-equipped movie theaters nationwide for an encore engagement on August 22 in honor of its sixtieth anniversary, the iconic and legendary 1952 movie musical masterpiece SINGIN' IN THE RAIN makes its grand return to the silver screen in a brand new HD remastering that any movie musical fan, film fanatic or Broadway baby will definitely want to experience first hand - especially on the very night before Gene Kelly's 100th birthday. A special event presented by Turner Classic Movies - also featuring an exclusive behind-the-scenes documentary hosted by Robert Osborne and spotlighting original film star Debbie Reynolds - this Wednesday's encore showing of SINGIN' IN THE RAIN is one more enduring entry in a continuing series of classic releases shown in HD for the first time in Fathom-equipped movie theaters across the country - past highlighted films have included SCARFACE, WEST SIDE STORY, THE SOUND OF MUSIC, CASABLANCA and many more. So, in celebration of SINGIN' IN THE RAIN splashing its way back to the silver screen one more time, today we are going to take a look back at some of the most well-known and best-loved scenes from the film - boasting a star-studded cast led by Gene Kelly, Donald O'Conner and Debbie Reynolds; directed by Kelly and Stanley Donen, with songs by Nacio Herb Brown and movie musical magnate Arthur Freed - as well as partake in the many famous and infamous homages paying tribute to the rightly well-regarded movie musical gem over the years since its release. Gene Kelly to Gwyneth Paltrow to Kurt Browning to Usher; GLEE to THE MUPPET SHOW to FAMILY GUY; A CLOCKWORK ORANGE to FAME to SPAMALOT and far, far beyond; this retrospective look at one of the most important and influential - and just plain fun - American movie musicals ever produced certainly has it all; and then some! Ain't it great to stay up late (again)?

Today we are shining a special solo spotlight on one of the most revered actors of the stage and screen on the premiere of his newest feature film lead role, in ROBOT & FRANK - which recently received the Alfred P. Sloan Prize at the Sundance Film Festival - the incomparable Frank Langella.

With this week's news of the passing of American literary and political icon Gore Vidal at the advanced age of 86, now seems a particularly apt time to look back at a truly anomalous career and some of the highlights of a life lived on pages, stages, planes, trains and many of the most exclusive locales in the world.

As a super-special prelude to BroadwayWorld's forthcoming InDepth InterView with Cheyenne Jackson, today we are shining a light on his two infectiously catchy and frothily pleasing pop singles from a forthcoming EP tentatively scheduled for release later this year - "Drive" and "Before You". Particularly given this week's world premiere of the eye-grabbing new music video for the instant earworm "Before You", now was the perfect time to catch up with one of Broadway and Hollywood's biggest rising stars as he prepares for his roles on the new NBC reboot of THE MUNSTERS, created by PUSHING DAISES and upcoming HANNIBAL writer/producer Bryan Fuller, titled MOCKINGBIRD LANE, as well as his part in the new star-studded Steven Soderbergh-directed HBO Liberace biopic BEYOND THE CANDELABRA, co-starring Oscar-winners Michael Douglas and Matt Damon, all about his many exciting endeavors. While the InDepth InterView covers those fresh topics as well as his new songwriting career and upcoming EP - as well as much, much more - today we are focusing primarily on the two new summer singles, some live performances of them, and, of course, both of their subsequent uniquely effective music videos. The music video for "Drive" is an instantly visually arresting animated road-trip travelogue depicting a cartoon Cheyenne navigating life's highways and byways while casting the occasional glance in the literal and proverbial rearview mirror, whereas "Before You" is a slightly ROCKY HORROR-esque, almost entirely black-and-white throwback to the frivolous sci-fi and horror-themed cheesy B-movies of the era - complete with a house of horrors featuring zombies, mummies, monsters and Rachel Dratch in a bizarre bird-themed hat. Both videos go the unexpected route in delivering the song's message, yet each hits their target in managing to showcase Cheyenne's considerable skills to their best advantage.

In light of this week's news of the passing of noted author, playwright, producer and director Nora Ephron, today we are highlighting some of the most memorable moments from her accomplished and versatile career onscreen and onstage. Ephron's artistic output consisted of collections of essays, memoirs, novels, screenplays, feature films, plays and producing duties on projects close to her heart, as well as a considerable amount of awareness raising for women's causes and general charitable work for the arts. While perhaps best known for her much-loved trio of romantic comedies WHEN HARRY MET SALLY…, SLEEPLESS IN SEATTLE and YOU'VE GOT MAIL, Ephron also penned the screenplay for the Mike Nichols biopic SILKWOOD about whistleblower Karen Silkwood, as well as wrote and directed the recent hit comedy JULIE & JULIA, re-teaming with her friend and consistent collaborator, three-time Oscar-winner Meryl Streep. Incidentally, Streep actually played Ephron - or at least a thinly-veiled version of her - in the 1986 Mike Nichols film HEARTBURN, based on her novel of the same name. While BEWITCHED, LUCKY NUMBERS and HANGING UP may have failed to ignite, Ephron created fine films with the angelically-themed John Travolta starrer MICHAEL and the Julie Kavner vehicle THIS IS YOUR LIFE, as well as crafted indelible characters in screenplays such as COOKIE, MIXED NUTS and MY BLUE HEAVEN. Closing out her career, Ephron showcased Streep once again and rising star Amy Adams shone brightly in the fun and frothy JULIE & JULIA, ending Ephron's film output with a hit to go along with her successful early beginnings as an essayist, humorist and cultural commentator - having penned essay collections in the 1970s such as WALLFLOWER AT THE ORGY, CRAZY SALAD: SOME THINGS ABOUT WOMEN, SCRIBBLE, SCRIBBLE: NOTES ON THE MEDIA, and, more recently, I FEEL BAD ABOUT MY NECK: AND OTHER THOUGHTS ON BEING A WOMAN and I REMEMBER NOTHING: AND OTHER REFLECTIONS - who famously parlayed those skills into TV writing, and, then, her Oscar-nominated work on SILKWOOD - arguably her finest dramatic work of all in film. As far as Ephron's stage ventures are concerned, besides the forthcoming musical adaptation of SLEEPLESS IN SEATTLE currently being developed under director Lonny Price and her writing of next season's purportedly Tom Hanks-headlining Broadway bow in LUCKY GUY, Ephron penned the 2002 Jack O'Brien play with music (by no less than Marvin Hamlisch and Craig Carnelia) IMAGINARY FRIENDS, starring Cherry Jones and Swoozie Kurtz, as well as the recently-closed Off Broadway smash, LOVE, LOSS AND WHAT I WORE, co-written with her sister, Delia Ephron. JFK White House intern to New York Post columnist to celebrated essayist to Oscar-nominated screenwriter, director and producer, Ephron left a significant mark on society and also crafted some heartwarming - or, should that be: heartburning - stories along the way.

On Thursday, three-time Tony Award-winning Broadway composer Richard Adler passed away at the ripe old age of 90. Responsible for two of the biggest Broadway smash hits of the 1950s, THE PAJAMA GAME and GAMN YANKEES, Adler never quite managed to equal his career-high double-hitter of that era, yet his earlier work with Tony Bennett ('Rags To Riches'), Doris Day ('Everybody Loves A Lover') and Marilyn Monroe (the iconic 'Happy Birthday, Mr. President') surely shall solidify his place in the firmament of entertainment history along with his two classic musicals from the Golden Age. Winning both Best Score and Best Musical for both THE PAJAMA GAME and DAMN YANKEES, Adler's partnership with lyricist Jerry Ross - which began on Broadway in 1953 with JOHN MURRAY ANDERSON'S ALMANAC - was tragically cut short just months after the DAMN YANKEES premiere when Ross was diagnosed with lung disease and passed away soon thereafter. Yet, thanks to the beloved film versions of THE PAJAMA GAME and DAMN YANKEES and continued interest in the entities as expressed in the revivals and reappraisals of both onstage from Broadway to Biloxi to Bombay year after year, the snappy, snazzy tunes of Adler and Ross live on eight times a week all around the world - even now, more than fifty years after they premiered. Unfortunately, Adler's subsequent shows with other collaborators post-1955 failed to capture the early magic of his previous projects with Ross and his earlier musical and theatrical endeavors in the pop arena, with the racially charged KWAMINA flopping on Broadway in 1961 (though he took home a Best Composer Tony Award for his efforts anyway) and the awkwardly titled MUSIC IS failing to recreate the magic of its source material, Shakespeare's TWELFTH NIGHT, in 1976. A MOTER'S KISSES, starring Bea Arthur and a young Bernadette Peters, died on the road, as well. In the intervening years, Adler attempted musical adaptations taken from a number of intriguing sources - OF HUMAN BONDAGE and others among them - though only his ballet scores seemed to reach an audience; particularly his last, commissioned for a new production of Lorca's THE HOUSE OF BERNARDA ALBA in 1998. Of course, THE PAJAMA GAME has had two Broadway revivals - most recently the rapturously received Kathleen Marshall-directed production starring Harry Connick, Jr. and Kelli O'Hara; and DAMN YANKEES famously returned to the Great White Way with much ado in 1994 starring Victor Garber. Now seems particularly ripe for remounting YANKEES, as we approach twenty years in its absence - especially given the musical's seriously smashing showing at Encores! in 2007. Who knows, perhaps some risky producer will even take a chance on a new production of KWAMINA, MUSIC IS, A MOTHER'S KISSES or one of the bottom drawer shows someday soon to see if they possess any of the limitless potential shown by Adler's earlier work. Or maybe a stage treatment of his TV musical GIFT OF THE MAGI (originally composed for then-wife Sally Ann Howes)? Or, better yet, how about a revue? What a stupendous songstack Adler created over the course of his career - 'Whatever Lola Wants' to 'Hey There' to 'Hernando's Hideaway' to 'You Gotta Have Heart' to 'Steam Heat' to the aforementioned Bennett, Day and Monroe standards and so many more chestnuts.