The timeless tale of Ebenezer Scrooge comes to thrilling new life as Tony Award® winner Jefferson Mays (I Am My Own Wife, Gentleman’s Guide…) plays over 50 roles in a virtuosic, master class of a performance that must be seen to be believed. This theatrical achievement comes from the haunting and hope-filled vision of one of Broadway’s most imaginative directors, Michael Arden (Tony-winning Best Revival – Once on this Island).
For all its dizzying charms, the overstuffed show doesn't quite deliver on what really counts - the three Spirits of Christmas Past, Christmas Present and Christmas Future, as they conjure up visions to terrify Scrooge into changing his parsimonious ways. Here the individual spirits don't really come alive (ahem), and their visions feel rushed on and off the stage. I can't help wondering how Dickens the performer managed to breathe life into the characters created by Dickens the novelist. (They say he waved his arms a lot and became quite bombastic.) Mays does none of that corny stuff, but for all the theatrical magic he makes on his own, he really could use a bit more help.
Having seen the performer's facial expressions in close-up (like the close-ups in most of the photographs and videos on this page, but not on the stage of the Nederlander), I couldn't help wondering whether a 1,200-seat Broadway theater was the ideal venue to showcase this performer's talents. The dim lighting and occasional total darkness had a different effect when so many of the audience (not all of them in the far-away seats) were already straining to follow what has happening on stage. This is why the design is so important. And it is sometimes surprising; at climactic moments, awesome. Indeed, the sets and especially the lighting threatened at times to swallow up Jefferson Mays. Like many a scene partner, the design seemed on occasion to try to upstage the star.
1994 | Off-Broadway |
Original Off-Broadway Production Off-Broadway |
1995 | Off-Broadway |
Return Engagement [off-Broadway] Off-Broadway |
1996 | Off-Broadway |
Return Engagement [off-Broadway] Off-Broadway |
1996 | Broadway |
Return Engagement Broadway |
1997 | Off-Broadway |
Return Engagement [off-Broadway] Off-Broadway |
1998 | Off-Broadway |
Return Engagement [off-Broadway] Off-Broadway |
1999 | Off-Broadway |
Return Engagement [off-Broadway] Off-Broadway |
2000 | Off-Broadway |
Return Engagement [off-Broadway] Off-Broadway |
2022 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2023 | Drama League Awards | Distinguished Performance Award | Jefferson Mays |
2023 | Outer Critics Circle Awards | Outstanding Lighting Design (Play or Musical) | Ken Elliott |
2023 | Outer Critics Circle Awards | Outstanding Solo Performance | Jefferson Mays |
2023 | Outer Critics Circle Awards | Outstanding Sound Design (Play or Musical) | Joshua D. Reid |
2023 | Outer Critics Circle Awards | Outstanding Video or Projection Design (Play or Musical) | Lucy Mackinnon |
2023 | Tony Awards | Best Lighting Design of a Play | Ben Stanton |
2023 | Tony Awards | Best Scenic Design of a Play | Dane Laffrey |
2023 | Tony Awards | Best Sound Design of a Play | Joshua D. Reid |
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