Review: Union Avenue Opera Presents DIE LUSTIGE WITWE

While I've been witness to plenty of operatic performances, some pop-operettas, and more than my fair share of rock operas, I've never actually seen an entire opera in person. However, the opportunity to see the Union Avenue Opera's presentation of Die Lustige Witwe (The Merry Widow) provided me with the chance to finally take in a full-fledged production in person. The combination of superb voices accompanied by the tasteful, and exceptional playing of an very talented orchestra, allowed me the chance to savor this unique experience in the stunning confines of the Union Avenue Church.

Franz Lehar's comic opera is probably the best place for a novice like myself to start their appreciation of the form. It's a tale filled with romantic entanglements that center around a wealthy widow named Hanna Glawari who's being pursued by every available man in Paris, with the exception of the one she really desires, Count Danilo Danilovitch, who's actually put off by her millions. While they play their coy game of cat and mouse, Baron Zeta's wife, Valencienne, carries on an elicit affair with her protege, Camille de Rosillon. Much mischief and merriment ensue as Valencienne breaks off her dalliance and urges Camille to woo Hanna.

Sylvia Stoner gives a strong performance as Hanna, imbuing her role with a nice sense of playfulness. Stoner displays a powerful and clear soprano voice that's well suited to this tuneful material. And, she's well matched with Ian Greenlaw as Count Danilo. Greenlaw gives the role an affable charm, and his pleasing baritone and handsome visage work to his advantage. Together, they make a most delightful couple.

Equally solid in support are: Ann Hoyt (Valencienne), Thomas Wazelle (Camille de Rosillon), E. Scott Levin (Baron Zeta), James Harr (Brioche), David Dillard (Cascada), John Stewart (Njegus), and the large, sweet-sounding ensemble that fill in as Parisians, servants and the Grisettes from Maxim's.

Scott Schoonover does excellent work conducting this production. Working with stage director Jolly Stewart, he's able to draw wonderful vocalizations from his talented ensemble, while Stewart pulls forth fully realized performances from the cast. Patrick Huber contributes a splendid scenic design, as well as lighting the show. Teresa Doggett provides a bevy of lovely costumes for the performers.

For a first-timer like myself, the Union Avenue Opera's presentation of Die Lustige Witwe serves as a terrific introduction to the world of opera. And, though I sat in the upper reaches of the balcony, every note was discernable, and I could actually read the projected subtitles much more easily than if I was at floor level.

Union Avenue Opera's 2009 season continues with Leo Delibes' LAKME August 21st, 22nd, 28th & 29th.

 

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