Several years ago I picked up a battered copy of a collection of short stories by Damon Runyon at a used book store. Interestingly enough, it contained a couple of pieces that form the backbone of Jo Swerling and Abe Burrows' script for Guys and Dolls. And, as I was watching Stages St. Louis's sparkling production of this classic musical, I wondered how many people in attendance were even aware of his existence, much less the continued cultural impact that this forgotten literary figure still wields. A cursory glance at some of the colorful sobriquets dreamed up by any number of current and past musical artists reveals his enduring influence.
The plot follows the efforts of Nathan Detroit as he attempts to organize a crap game in a secret location that will fly under the radar of the local constabulary. Set against this backdrop are parallel love stories, one of which chronicles Nathan's protracted engagement to his girlfriend Adelaide, who'd like to see Nathan give up his illegal shenanigans. The other story concerns a bet between Nathan and Sky Masterson, which results in Sky attempting to woo the straight-laced Sarah Brown, who runs the failing local chapter of a Salvation Army type mission. Naturally, much mayhem and nonsense ensues before these matters are brought to a satisfying and amusing conclusion.
David Foley, Jr. does fine work as Nathan, and he's paired up with Julie Cardia who brings vivacious energy to her role as Nathan's long-suffering, and squeaky voiced fiancé, Adelaide. Edward Watts displays a considerable amount of charm in his part as Sky Masterson, and Kate Fisher projects the right uptight image as Sarah Brown, the object of his desire. All four leads showcase splendid vocals that fit Frank Loesser's memorable score perfectly.
A terrific supporting cast includes: Edward Juvier, who's hilarious as Nicely Nicely Johnson, and provides an early highlight along with Steve Isom as Benny Southstreet on Loesser's eponymous number; Jason Cannon as Lt. Brannigan, complete with Dick Tracy inspired wardrobe; Paul Pagano as Harry the Horse; Ben Nordstrom as Rusty Charlie; Zoe Vonder Haar as General Cartwright; Herschel Sparber as the oversized Big Jule; and a host of talented Hot Box dancers.
Michael Hamilton's stellar direction keeps the action moving at a reasonably brisk pace. He's aided by Lisa Campbell Albert's tuneful musical direction and Mark Halpin's picturesque scenery. Stuart Elmore's orchestral design is nicely rendered, but it could stand to have bit more punch in the mix. Lou Bird's vibrant costumes add an additional layer of fun to the proceedings, and Matthew McCarthy's lighting is up to his usual fine standards. Choreographer Dana Lewis also contributes some lively dance moments.
Stages St. Louis closes their 2009 season on an upbeat note with an engaging and fun-filled production of this vintage musical. Guys and Dolls continues through October 4, 2009 at the Robert G. Reim auditorium in Kirkwood, MO.
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