What have you been doing during the pandemic? New Line Theatre Artistic Director Scott Miller has been writing a collection of horror stories, all inspired by the musical theatre. Yes, you read that right.
Join
Scott Miller, veteran writer, director, and musical theatre scholar and fanboy, for this roller coaster ride of thirteen nightmarish tales, all inspired in one way or another by the musical theatre, mashing together the history of musicals with the conventions and mad variety of the horror genre. You'll meet theatre ghosts, vampires, monsters big and small, child killers, a homicidal maniac or two, a demon-possessed keyboard, and much more.
The stories include "Tomorrow, Daddy." "Nothing More," "Night of the Festival," "Scarily We Roll Along," "Time Steps," "Requiem for Musical Comedy," "Happy Birthday, Robert," "I Had a Dream," "The Spellbinder," "A Little Fight Music," "The Farm Hand," "Over Finian's Rainbow," and "The Flibbertijibbet."
Scott Miller is a musical theatre director, composer, lyricist, bookwriter, historian, consultant, self-proclaimed fanboy, and the founder and artistic director of New Line Theatre, an alternative musical theatre company in St. Louis. founded in 1991. He has written eleven musicals, two plays, and eight books about musical theatre, and he also writes the Bad Boy of Musical Theatre blog. For fifteen years, he co-hosted the radio show Break a Leg: Theatre in St. Louis and Beyond on KDHX, and now he hosts the theatre podcast
Stage Grok, available on
iTunes.
Miller's Amazon Author Page, with all his books, is
here.
Miller's musical theatre analysis collections include From Assassins to West Side Story, 1996 (covering Assassins, Cabaret, Carousel, Company, Godspell, Gypsy, How to Succeed, Into the Woods, Jesus Christ Superstar, Les Misérables, Man of La Mancha, Merrily We Roll Along, My Fair Lady, Pippin, Sweeney Todd, and West Side Story); Deconstructing Harold Hill, 1999 (covering Ragtime, Camelot, Chicago, Passion, The Music Man, March of the Falsettos, Sunday in the Park with George, and The King and I); Rebels with Applause, 2001 (covering Hair, Rent, Oklahoma!, Pal Joey, Anyone Can Whistle, Floyd Collins,
Jacques Brel, The Cradle Will Rock, Songs for a New World, and The Ballad of Little Mikey); Sex, Drugs, Rock & Roll, and Musicals, 2011 (covering The Wild Party, Grease, Hair, Jesus Christ Superstar, The Rocky Horror Show, The Best Little Whorehouse in Texas, I Love My Wife, Bat Boy, Hedwig and the Angry Inch, and High Fidelity); Literally Anything Goes, 2019 (covering The Threepenny Opera, Anything Goes, The Nervous Set, Zorbá, The Fantasticks, Two Gentlemen Of Verona, The Robber Bridegroom, Evita, Return to the Forbidden Planet, Kiss Of The Spider Woman, A New Brain, Reefer Madness, Bukowsical, and Love Kills); and Idiots, Heathers, and Squips, 2020 (covering bare, Urinetown, Sweet Smell of Success,
Jerry Springer the Opera, Passing Strange, Cry-Baby, Next to Normal, Bloody Bloody
Andrew Jackson, American Idiot, Heathers, and Be More Chill).
Miller has also written the books Strike Up the Band: A New History of Musical Theatre; Let the Sun Shine in: The Genius of Hair; and It's a Musical!: 400 Questions to Ponder, Discuss, and Fight About.
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