BWW Reviews: Rep's Brilliant Production of FREUD'S LAST SESSION

Set in 1939, when Poland was falling to the Nazi's and Britain was being pulled into what would become World War II, playwright Mark St. Germain's engaging work Freud's Last Session is a fascinating look at the historic meeting between two very different minds. Impeccably acted and directed, this Studio Theatre presentation by The Repertory Theatre of St. Louis is a brilliant 75 minute piece that enlightens and entertains. This is absolute must-see theatre.

The set up here is that Sigmund Freud, famed psychoanalyst and author, has invited Professor C.S. Lewis to his home for some kind of meeting. But, the idea soon clarifies itself as their discussion begins. It seems that Freud is curious about the conversion to faith that has suddenly occurred in the once solidly avowed atheist. Over the next hour or so they verbally spar over the question of whether God exists or not. Though this may seem like some pretty heavy stuff to deal with, there's actually a substantial amount of humor and drama packed into the plot.

Barry Mulholland is believable, incorrigible, and sympathetic as the aging and sickly Freud. He also projects a certain degree of arrogance and self-satisfaction that perfectly suits the character. But, he garners considerable amounts of pity as well as we watch him struggle with an ill fitting prosthetic, put in place due to advancing oral cancer. In direct contrast to the brash and invasive Freud is Jim Butz as the more soft spoken, if not equally outspoken, C.S. Lewis. Though initially mystified by the invitation, he passionately defends his conversion to Christianity and belief in a higher power. Together they're impressive, and this story will stick with you long after it's over.

Michael Evan Haney's direction is smartly conceived and executed, and though a piece like this could easily degenerate into a static presentation, it never does. The pace and action is consistently engaging. Peter and Margery Spack's scenic design brings a sense of decay to Freud's opulent study that cleverly reflects the bombings of Britain and Freud's own failing body. James Sale's lighting works well, Benjamin Marcum's sound design fits the period, and so do Elizabeth Eisloeffel's costumes.

Go see the Rep's production of Freud's Last Session! It continues in the Studio Theatre of the Loretto-Hilton through November 24, 2013.

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