Over the years I've learned a tremendous amount about the Jewish religion and its traditions through the plays and people I've come in contact with at The New Jewish Theatre. But, I have to admit that I never knew the story of the "wandering Jew", although I'd grown up with parents who loved flora and fauna, and often had the plant growing outside that was nicknamed for the tale. I brought my son along with me to see the show because I want him to be well rounded and know as much as he can about the belief systems of all cultures. Glen Berger's wonderful play, UNDERNEATH THE LINTEL, is a sort of detective story that is truly, as artistic director Kathleen Sitzer described it; a testament to faith. It achieved precisely what I had hoped it would do as well by provoking an interesting discussion between my son and I as we talked on the way home. This is a very well done production that provides must-see entertainment, while also giving its audience plenty to ponder.
A Dutch librarian finds a tattered book that has been slipped in the return slot. Oddly, it was checked out 113 years ago, which would amount to a rather hefty fine for the person involved. It certainly piques the curiosity of our librarian. Suddenly, she's intrigued by its appearance, and finds herself wanting desperately to discover the story behind its sudden return. I don't want to spoil the story anymore than my introductory paragraph may already have, but suffice to say that she calls in sick and begins to travel the world in search of clues as to the identity of the person who read it. The various bits of evidence she compiles are compelling and, filled with a sense of purpose she was lacking, she sets out to piece the story together, knowing that if her instincts are correct, then she has stumbled upon something truly profound and life-changing.
Glynis Bell plays the librarian, and she is absolutely splendid in the role. The frustrations she feels in her job melt away as she goes on a journey to find the secret behind this overdue tome. Bell generates a palpable sense of excitement over each new piece of evidence, even if they're sometimes a bit too vague to absolutely pinpoint their source. She enthusiastically jots down dates and notes on a chalkboard to illustrate her astonishment, and accompanies her various travels with slide projections that provide valuable hints. Stating her desire to "prove one life..and to justify another", she risks everything to embark on this sojourn. But, it's not a one note performance by any means, as the character's discoveries cause her to reflect on her own missed opportunities. Bell shines in this brief piece and never lets our attention sway. Will Soll strolls in and out offering up lovely music that aids in the transitions from one place or thought to another as the librarian continues on her adventure.
Lana Pepper's direction is finely honed. The action is never static, even though we're essentially watching a lecture, and the humor is plentiful. Kyra Bishop's scenic design cleverly places what's meant to be a rather drab looking meeting room underneath its own sizable lintel; the proscenium that separates the audience from the actress. Michael Sullivan's lighting nicely changes moods and focus depending on the circumstances being discussed, and Michele Friedman Siler outfits Bell in a costume that perfectly suits her character.
The New Jewish Theatre's production of UNDERNEATH THE LINTEL is highly recommended. Engaging, often quite humorous, and certain to stir discussion, it's a deceptively brilliant work. It continues through February 13, 2016.
Photo credit: Eric Woolsey
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