Review: Mustard Seed Theatre's Touching Production of SHADOWLANDS

Writer William Nicholson's play Shadowlands, which was adapted from his 1985 television screenplay, takes a look at the life of C.S. Lewis, focusing its attention on the relationship between the famous author and an American fan named Joy Gresham that he wound up marrying. It's a superbly constructed work that's touching and surprisingly funny, and Mustard Seed Theatre has mounted a wonderful production that's sparked by flawless direction and brilliant performances.

Essentially, the story picks up later in the life of C.S. Lewis, after he's already become a celebrated writer of fantasy fiction.  Lewis regularly corresponded with fans of his work, and when Joy Gresham arrives in London, he meets her and her young son for tea. They strike up a fast friendship that's built on their intellectual compatibility, but her outspokenness seems to rub Lewis' friends the wrong way.  When she receives a letter from her husband asking for a divorce her life is thrown into turmoil, but Lewis, as a matter of convenience at first, marries her.  Though it may be a marriage in name only, a deep romance develops when Joy is struck down by bone cancer, and Lewis realizes how much she has come to mean to him.

Gary Wayne Barker gives a bravura performance, expertly capturing the accent and attitude of Lewis. Barker's work is exemplary, and one of the finest portrayals I've had the privilege to witness. He's matched by the work of Kelley Ryan, who brings an intelligent and strong demeanor to the role of Joy. Their work together is enjoyable and moving, and just one of the many reasons to see this show.

Strong support is provided by Richard Lewis as the charming bachelor brother of C.S. (known by his close associates as Jack), as well as by B. Weller as his witty and opinionated friend Riley who's completely taken aback by the feisty behavior of Joy, who's able to easily parry any barbs thrown her way. Jackson Mabry is also solid as Joy's son Douglas, who's fascinated by the world of Narnia that C.S. created, and disappointed when he proves to be bereft of any real magic.

Additional supporting work is provided by Terry Meddows as a priest named Harrington, who's unwillingly to marry the pair due to her divorced status; Michael Brightman as Jack's friend Oakley and the Doctor who presides over Joy's case; Charlies Barron as his friend Alan Gregg, as a registrar with an attitude, and as a kindly priest who marries the pair; and Carmen Larimore Russell in a number of roles.

Director Deanna Jent once again displays her knack for working with ensembles, and there are no missteps among the cast. The action is clear, concise, and smartly staged.  Courtney Sanazaro's scenic design is nicely conceived, with many levels present to maintain interest. Michael Sullivan's lighting neatly illuminates the action and keeps the viewer's attention focused.  Jane Sullivan's costumes are good fits for each character, and conjure the era and locale without distracting.

Engaging, heartfelt and bittersweet, Mustard Seed Theatre's production of Shadowlands is must-see theatre, and the show continues through February 13, 2011 at Fontbonne University.

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