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BWW Reviews: MICHAEL FLATLEY'S LORD OF THE DANCE Dazzles at the Fox Theatre

By: Apr. 07, 2011
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After years of just seeing clips on public television, I thought it was time to actually take in a complete performance of Michael Flatley's Lord of the Dance to see what all the fuss was about. And, it's an entirely different experience in person. Live, the energy and enthusiasm of these consummate performers bleeds into the air and ratchets up the excitement factor considerably. The combination of Celtic music along with the rousing athleticism of these talented dancers makes for an engaging and entertaining presentation, and the recent show at the Fox Theatre (April 5, 2011) certainly provided plenty of proof for those who would wonder why this show continues to captivate audiences worldwide.

The plot of the show, and yes, there actually is a plot, is an updated retelling of an Irish folk legend.  Set in a mythical time and place, themes of Good vs. Evil are explored as the Little Spirit (Christina Dolzell) journeys through time to aid the Lord of the Dance as he attempts to take on the challenge offered up by Don Dorcha, the Dark Lord. The pair square off in a terpsichorean duel that provides numerous opportunities for various configurations of dancers, fiddlers (Anne Hatfield, Aimee Rigby), and vocalist (Mary-Anne Roddy) to strut their stuff.

Composer Ronan Hardiman has taken themes, both original and borrowed (from Shaker melodies) to construct a score that runs the gamut from quiet and contemplative to full bore, thundering pyrotechnics. These tuneful and atmospheric pieces are lovely platforms for the stylized movements and aggressive rhythmic footwork on display.

The Lord of the Dance, here assumed by Troupe 2 lead performer Ciaran Connolly, was in superb form throughout the evening. By inheriting the role of the star of this extravaganza he has to take control of the stage from opening to close, guiding the dancers and action to produce a truly dazzling and colorful spectacle, and he does so with considerable aplomb. Connolly's fleet-footed tap work never failed to gain attention, but it's worth noting that the supporting cast of dancers and musicians is equally talented.

Michael Flatley's Lord of the Dance is an intense and rewarding experience, and the assembled mass at the Fox Theatre were on their feet often, encouraged by the bravura work that was taking place on stage.



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