Avalon Theatre Company Opens Season With BARRYMORE

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I've always been fascinated with the films and filmmakers who created Hollywood's golden age during the 1930's and 40's. And, I've sought out old biographies that are no longer in print to read accounts of the characters who populated this legendary cinematic kingdom. I specifically recall finding a copy of Gene Fowler's biography of John Barrymore, "Goodnight, Sweet Prince", while rummaging through a used book store in downtown St. Louis. What first caught my eye were the illustrations by Barrymore that filled the inside cover. These were his character sketches, and they revealed an artistic talent of his that I hadn't been exposed to until that moment. Of course, the book itself was a treasure trove of information about the actor, and so is William Luce's play Barrymore, which is being presented in loving fashion by the Avalon Theatre Company.

If you're not a student of film history, then you may be more familiar with Drew Barrymore's body of work than that of her Grandfather, John. But, be aware that "Jack" was quite a sensation in his day. As a member of a famous stage family, he was born into the business, even if he'd really rather been a painter instead. He became known as "the great profile", but he was also a chronic alcoholic and womanizer who married and divorced four times. He hung around with a rowdy group that included: W.C. Fields, Thomas Mitchell, John Carradine, John Decker and Errol Flynn. The "Bundy Drive Boys", as they were called, became famous and infamous for their conspicuous consumption, and for the naughty behavior it inspired. For all his faults, he was capable of producing exceptional work whenever he stepped on stage.

Luce's play creates the fictional device of having the aging Barrymore in preparation for a comeback performance as Richard III. Essentially a one man show, the only other actor is a man Barrymore has hired to help him with his lines. Though this incident never actually occurred, it provides an opportunity for the actor to reflect on his colorful life, and gives the audience a glimpse of his madness and his greatness.

John Contini is simply brilliant as Barrymore, maintaining a thoroughly convincing portrayal throughout. Though he doesn't carry the extra weight on his frame that Barrymore had towards the end, Contini convinces through sheer intensity. Contini captures Barrymore's inflections by trilling his "r's" in the same theatrical manner. He also hits the mark with his sparkling imitations of brother Lionel, and drinking buddy Fields. Alone on stage, his only interaction is with Frank, an offstage prompter nicely voiced by Scott McMaster. With Frank on the sideline the focus is allowed to stay on the main subject, but it's not an entirely thankless role, since he provides a number of amusing punchlines, and has to display considerable kindness and admiration for this fallen man using only his voice.

Erin Kelley's direction is very well done. With only one actor to guide, this could become static quickly, but it doesn't. She's aided by the dramatic lighting and stark scenic design of Larry Mabrey. There's no reason to draw focus from these engaging recollections, so keeping the props down to a barrel full of swords, a chest, and a throne, is smart.

Avalon Theatre Company's terrific production of Barrymore continues through July 12, 2009 in the Art Space at Crestwood Court. Call 314-351-8482 for ticket information.

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