The University of SC Department of Theatre and Dance will present the outrageous comedy Scapin, February 19-27 at Longstreet Theatre.
Show times for Scapin are 8pm, Wednesdays through Saturdays, with additional 3pm matinees on Sunday, February 21 and Saturday, February 27. Tickets for the production are $12 for students, $16 for USC faculty/staff, military personnel and seniors (60+) and $18 for the general public. Tickets can be purchased in advance by calling 803-777-2551 or by visiting the Longstreet Theatre box office, which is open Monday-Friday, 12:30pm-5:30pm, beginning Friday, February 12. Longstreet Theater is located at 1300 Greene St.
Bill Irwin and Mark O'Donnell's contemporary adaptation of one of Molière's final plays was an instant smash when it premiered Off-Broadway in 1997, and, as reported in The New York Times, "would have gone over big with the same audience who first saw The Fourberies de Scapin ['Scapin's Deceits'] in 1671." Molière's outrageous farce introduces us to the trickster servant Scapin (pronounced Scuh-pan), whose expertise in scheming is called upon by two young men, Octave and Leander, both desperate to escape marriages arranged by their fathers. With the help of his accomplice Sylvestre, Scapin spins ever more elaborate deceptions to help in the men's romantic pursuits, and achieve some payback for himself in the process.
"Molière very much came out of the commedia dell'arte tradition," says director
Louis Butelli. "As the master comedian of his era, he went right to the source material and just started wholesale lifting old comedy plots." Commedia dell'arte originated in Italy in the 16th century, and relies on stock characters (of which the trickster Scapino is one) to tell wildly comic, improvised stories.
Irwin and O'Donnell's version of the classic tale incorporated Irwin's highly physical clowning technique into the story, a style which this production aims to recreate. "It's a kind of new vaudeville," says the director with a laugh, "very rubbery limbed and agile with lots of kicky legs. We have a wide variety of body types, and I think what's going to be amusing is to take that template and see how the different body types respond to it."
Butelli is quick to add that the script brings a contemporary spin to the centuries-old source material. "We're not doing powdered wigs and moles on the cheeks. This is not period Molière. It's very up-to-date as far as the language goes, and while it's not set in 2016, the action does take place in a recognizable mid-20th-century setting - the distant present."
Specifically, that setting is a mid-century juke joint - the kind of club in which you might hear the soulful sounds of
Ray Charles. Butelli says that he realized live music is always a central element of Irwin's original work, and saw the perfect complement to the material in putting a live blues band on stage.
"I feel like all comedy is singing the blues," explains Butelli. "It's finding joy in the midst of the horror of daily life, and finding exuberance even when the world is crashing around you. That's the essence of blues and the essence of clowning, so I thought those two things would work really well together."
Butelli, a guest artist of the University theatre program for this production, has an extensive history with this type of material, and is bringing that experience to the cast. The professional actor/director has had a long stage career bringing classic comedy to life with such well-respected companies as the Folger Shakespeare Theatre, the American Repertory Theatre and
Aquila Theatre Company.
"My entire career has been playing Shakespeare's clowns and fools. Plus, I love Molière, who I think was Western literature's greatest and finest comic writer, and
Bill Irwin is just my hero. I'm honored to have the chance to work on this material."
Cast in the production are second-year graduate actors Dimitri Woods (Scapin), Matt Cavender,
Ben Roberts and
Carin Bendas, as well as undergraduates Tristan Hester, Michael Castro, Conor Gallagher, Jamie Boller, Jordan Youmans, Rose Mancuso, Imani Hanley, Rebecca Legare-Stevenson, Amy Mew and Kate Hoffman. The live band, led by undergraduate Freddie Powers (electric guitar), also includes Lachlan Angle (acoustic guitar), Andrew Svenson (bass) and Curtis Smoak (drums). Designers for the production are graduate students Tamara Joksimovic (scenic design), Rachel Harmon (costume design) and Rachel Sheets (lighting design). Guest artist Danielle Wilson is designing sound for the production.
The director says he wants to make it clear that, in his words, "This is not an academic exercise."
"Sometimes when we think about something that has 'classic' hanging over it, we make a lot of assumptions that it will be boring or old or not understandable," Butelli admits. "This language, though, is totally up-to-the-minute. If you like South Park, if you like
Ricky Gervais or
Jerry Seinfeld, if you enjoy what's happening in comedy right now, you're going to love this."
For more information about Scapin or the theatre program at the University of South Carolina, contact
Kevin Bush via phone at
(803) 777-9353 or via email at
bushk@mailbox.sc.edu.
Photo by Jason Ayer
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