★★★★★ - The I
★★★★★ - The Arts Desk
★★★★ - The Guardian
★★★★ - Financial Times
It’s murder in the West End - as the award-winning musical comedy Kathy and Stella Solve a Murder! hits London.
BFFs Kathy and Stella host Hull's least successful true crime podcast. When their favourite author is killed they are thrust into a thrilling whodunnit of their own!
Hailed as ‘comedy gold’ (TimeOut), this big-hearted, laugh out loud musical follows the unlikely crime-fighting duo as they put their friendship on the line to become part of the story. Can they crack the case, (and become global podcast superstars) before the killer strikes again…?
After sell out runs in Manchester, Bristol and Edinburgh, Kathy & Stella arrive at The Ambassadors Theatre this Spring for an ‘unmissable show’ (Daily Mail).
Kathy and Stella Solve a Murder! is the ‘bloody marvellous’ (Financial Times) musical from Jon Brittain (Rotterdam) and Matthew Floyd Jones (Frisky and Mannish) with Fabian Aloise (Sunset Boulevard) and is produced by the multi Olivier Award-winners behind Fleabag, Baby Reindeer and The 39 Steps.
Make sure you tune in for a night of ‘utter, unalloyed joy’ (The i). Until then, see you next murder…
★★★★ Daily Mail | ★★★★ WhatsOnStage
★★★★ TimeOut | ★★★★ The Stage
Seven high-octane performers pour humour and vivacity into the show. Barbé and Hinds are a strong double act with yin-yang energy and impressive vocal ranges. Barbé’s nervy sweetness offsets Hinds’ dry humour and together they have this vehicle running like a well-oiled machine. Elliot Broadfoot is always watchable, flip-flopping between playing Kathy’s doting mother Vanessa and morgue worker Justin. And Elliotte Williams-N’Dure is very good as the downbeat, exasperated Detective Inspector Sue Shaw.
As the titular, dysfunctional best friends who host a weekly murder podcast from a garage near Hull, Bronté Barbé and Rebekah Hinds sell the songs and the broad jokes better than they deserve. The whole thing has a rough and robust zest that doubtless helped it rise above the dross on the Edinburgh Fringe. But in the more rarefied atmosphere of the West End the constant barrage of gurning and caterwauling is a major turn-off.
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