Summer 1940. On a peaceful morning in her Washington D.C. living room, widow Fanny Farrelly anxiously awaits the return of her daughter and her German husband, fleeing Europe with their children.
As night falls, dark secrets emerge, and this American sanctuary becomes even more dangerous than what they left behind.
Known for her success on Broadway (The Little Foxes, The Children's Hour) Lillian Hellman was also a brilliant activist, ahead of her time. WATCH ON THE RHINE is her masterpiece political thriller, given a timely revival by director Ellen McDougall.
Cast includes Olivier Award winner Patricia Hodge and Caitlin FitzGerald (Succession, Inventing Anna) and John Light (The Son).
__Show warnings: please note this section contains spoilers__
The play contains references to concentration camps, shooting, bombing and refugees all in the context of WWII
There are also references to gambling, bribery and murder.
There are scenes of physical violence.
__Access performances__
CAPTIONED PERFORMANCE
Monday 23 January 7.30pm
AUDIO-DESCRIBED PERFORMANCE
Saturday 28 January 2.30pm, touch tour at 1pm
BSL PERFORMANCE
Saturday 21 January 2.30pm
If Hellman’s message about the foolishness of American isolationism – both politically and practically – feels perennially relevant, then there’s no denying ‘Watch on the Rhine’ was written for a specific time. It must have been incendiary in its day. It’s not now. But its shift from bourgeoise cosiness to shocking violence remains bravura stuff.
Overall, this is a handsomely mounted, well-acted work that strums reliably on the emotions, but feels inescapably like a museum piece. Scratchy film at the end tells us about the real Jewish-American-German couple that inspired Watch on the Rhine, and Hellman’s own later steadfastness during the McCarthy witchhunts in the 1950s. A new play about either might feel more stimulating.
1941 | Broadway |
Broadway |
1980 | Broadway |
Broadway |
2022 | West End |
West End |
Videos