You won't need a magic lamp to discover a whole new world on Broadway. Disney’s Aladdin, brings the beloved animated film to dazzling life on stage. Now in its ninth year on Broadway, Aladdin whisks audiences away on a high adventure filled with romance, laughter, and unforgettable spectacle.
What’s the story? Aladdin is a lovable street rat with big dreams, who stumbles upon a magical lamp and a larger-than-life Genie who can grant three wishes. With his newfound power, Aladdin seeks to win the heart of Princess Jasmine and defeat the scheming Jafar, embarking on a whirlwind journey of self-discovery along the way.
Since its opened on Broadway on March 20, 2014, Aladdin has enchanted critics and audiences alike, earning a Tony Award for ‘Best Performance by a Featured Actor in a Musical’ for James Monroe Iglehart's portrayal of the Genie.
The show also received nominations for ‘Best Musical,’ ‘Best Book of a Musical,’ and ‘Best Original Score,’ along with a Grammy nomination for ‘Best Musical Theater Album.’ Its colorful set designs, lavish costumes, and incredible staging have made Aladdin a visually stunning experience that leaves audiences in awe. And did we mention the magic carpet...?
Featuring timeless songs from the original film like “A Whole New World,” “Friend Like Me,” and “Prince Ali,” plus new songs written by Alan Menken, Howard Ashman, Tim Rice, and Chad Beguelin, Aladdin enchants theatergoers of all ages and brings Agrabah to life in a way that only Broadway can.
Directed and choreographed by Tony Award winner Casey Nicholaw, Aladdin first found success in Toronto before transferring to Broadway, where it has continued to captivate audiences from around the world. Productions have since launched in London’s West End, Tokyo, Sydney, and more, cementing its status as a global hit.
Whether you grew up with the Disney classic or are discovering it for the first time, Aladdin offers a magical escape that’s fun for the entire family. With its themes of love, courage, and adventure, it’s a perfect reminder that a whole new world is always just a wish away.
The cartoonish musical is modelled after snappy 1960s Broadway musical comedies, complete with passing scenes staged 'in-one' in front of a curtain to cover changes in décor. Sure, that's retro, but it suits the light-hearted material as well as a Disney crowd who probably prefers familiar formats. Casey Nicholaw, an ace director-choreographer, maintains a slightly tongue-in-cheek quality throughout the fast-moving show, especially in his frisky dances that, with their sinuous arm gestures, synchronized moves and general acrobatics, often suggest Bollywood production numbers. A lively and good-looking ensemble expertly undulates through the sometimes zany choreography.
It's spritely directed and choreographed by Casey Nicholaw, well sung by a huge 35-person cast wearing an alarming number of harem pants, and hits that sweet spot Disney Theatrical Productions do so well, a saccharine fairy tale for the kids cut by some sly, vinegary quips for their parents...Adam Jacobs stars as a sweet, hunky Aladdin -- or 'Al' as he's called -- and Courtney Reed is his stunning-looking Jasmine, in a little need of some theatrical seasoning but with grooming seemingly straight off Bravo's 'Shahs of Sunset.' A welcome bit of casting is having Jonathan Freeman return as Jafar, the same role he voiced in the animated film. He is simply delicious, relishing his evilhood. One of the biggest obstacles into turning this property into a stage musical has been the blue elephant in the room, the Genie. How can you possibly have a real actor play the shape-shifting, manic talking spirit that Robin Williams so wonderfully portrayed on film? You apparently hire Iglehart, a cartwheeling, high kicking big man who can sing and goof. His extended scene in a cave prompts some theatergoers to give him a standing ovation -- and the show's not even half over.
Price: $35.00, credit card only
Where: lottery.broadwaydirect.com/show/aladdin
When: Lottery entries for each performance will be accepted starting 9AM the day prior to the performance until 3PM the day prior to the performance. At that time, the lottery for that performance will be closed. If you are selected as a winner, you have 60 minutes to pay for your tickets via credit card.
Limit: Two per customer
Information: Seat locations are assigned based on availability and at the discretion of the Box Office. Please note, lottery seats may be partial view, behind a pipe and/or in a free standing chair.
2014 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2014 | BroadwayWorld Awards | Best Choreography | Casey Nicholaw |
2014 | BroadwayWorld Awards | Best Costume Design | Gregg Barnes |
2014 | BroadwayWorld Awards | Best Featured Actor in a Musical | James Monroe Iglehart |
2014 | Drama Desk Awards | Outstanding Actor in a Musical | Adam Jacobs |
2014 | Drama Desk Awards | Outstanding Book of a Musical | Chad Beguelin |
2014 | Drama Desk Awards | Outstanding Choreography | Casey Nicholaw |
2014 | Drama Desk Awards | Outstanding Featured Actor in a Musical | James Monroe Iglehart |
2014 | Drama Desk Awards | Outstanding Lyrics | Howard Ashman |
2014 | Drama Desk Awards | Outstanding Lyrics | Tim Rice |
2014 | Drama Desk Awards | Outstanding Lyrics | Chad Beguelin |
2014 | Drama Desk Awards | Outstanding Music | Alan Menken |
2014 | Drama Desk Awards | Outstanding Musical | Aladdin |
2014 | Drama League Awards | Distinguished Performance Award | James Monroe Iglehart |
2014 | Drama League Awards | Outstanding Production of a Broadway or Off-Broadway Musical | Aladdin |
2014 | Outer Critics Circle Awards | Outstanding Book of a Musical (Broadway of Off-Broadway) | Aladdin |
2014 | Outer Critics Circle Awards | Outstanding Choreographer | Casey Nicholaw |
2014 | Outer Critics Circle Awards | Outstanding Costume Design (Play or Musical) | Gregg Barnes |
2014 | Outer Critics Circle Awards | Outstanding Featured Actor in a Musical | James Monroe Iglehart |
2014 | Outer Critics Circle Awards | Outstanding Lighting Design (Play or Musical) | Natasha Katz |
2014 | Outer Critics Circle Awards | Outstanding New Broadway Musical | Aladdin |
2014 | Outer Critics Circle Awards | Outstanding New Score (Broadway or Off-Broadway) | Aladdin |
2014 | Outer Critics Circle Awards | Outstanding Set Design (Play or Musical) | Bob Crowley |
2014 | Tony Awards | Best Book of a Musical | Chad Beguelin |
2014 | Tony Awards | Best Choreography | Casey Nicholaw |
2014 | Tony Awards | Best Musical | Disney Theatrical Productions |
2014 | Tony Awards | Best Musical | Thomas Schumacher |
2014 | Tony Awards | Best Musical | Aladdin |
2014 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Howard Ashman |
2014 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Tim Rice |
2014 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Chad Beguelin |
2014 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Alan Menken |
2014 | Tony Awards | Best Performance by an Actor in a Featured Role in a Musical | James Monroe Iglehart |
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