Next to Normal is a contemporary musical that explores how one suburban household copes with crisis. With provocative lyrics, and an electrifying score of more than 30 original songs, Next to Normal shows how far two parents will go to keep themselves sane and their family's world intact.
To the noble Marin Mazzie falls the unenviable task of replacing Alice Ripley in Next to Normal, and she rises to the challenge: The succession is a success. Ripley’s star turn was one of those rare, perfect matches of actor and role; all of the idiosyncrasies that distinguish Ripley as a performer seemed to weave into her Diana, a suburban housewife suffering from an extreme version of bipolar disorder. To equal her would be next to impossible—Betty Buckley might have given her a run 15 years ago—and I was wary of seeing anyone else as Diana. But Mazzie comes through with confidence and surprising intensity. If this beast of a role seems a little tamer under her control, it still scratches out.
When Next to Normal played at Off-Broadway's Second Stage last year, Brian Yorkey's book and lyrics lacked the character complexity necessary to tell his ambitious story satisfactorily. Yorkey, composer Tom Kitt, and director Michael Greif went back to work, and Washington, D.C.'s Arena Stage admirably gave the show a second chance. The well-received reworked version has now been brought to Broadway. There is improvement, particularly in Act 1, which gets more swiftly to its story and better fleshes out its characters. Some radical shifts in tone have also been addressed. Nevertheless, the show still fails to persuade.
2008 | Off-Broadway |
Original Off-Broadway Production Off-Broadway |
2009 | Broadway |
Original Broadway Production Broadway |
2010 | US Tour |
1st National Tour US Tour |
2010 | US Tour |
2nd National Tour US Tour |
2013 |
Weston Playhouse Production |
|
2020 | Washington, DC (Regional) |
Kennedy Center Broadway Center Stage Production Washington, DC (Regional) |
2024 | West End |
West End |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2010 | The Pulitzer Prize | The Pulitzer Prize for Drama | Tom Kitt |
2009 | BroadwayWorld Awards | Best Leading Actress in a Musical | Alice Ripley |
2009 | Tony Awards | Best Book of a Musical | Brian Yorkey |
2009 | Tony Awards | Best Direction of a Musical | Michael Greif |
2009 | Tony Awards | Best Lighting Design of a Musical | Kevin Adams |
2009 | Tony Awards | Best Musical | David Stone |
2009 | Tony Awards | Best Musical | Ellen Richard |
2009 | Tony Awards | Best Musical | Carole Rothman |
2009 | Tony Awards | Best Musical | Second Stage Theatre |
2009 | Tony Awards | Best Musical | Patrick Catullo |
2009 | Tony Awards | Best Musical | Barbara Whitman |
2009 | Tony Awards | Best Musical | James L. Nederlander |
2009 | Tony Awards | Best Orchestrations | Michael Starobin |
2009 | Tony Awards | Best Orchestrations | Tom Kitt |
2009 | Tony Awards | Best Orchestrations | Michael Starobin |
2009 | Tony Awards | Best Orchestrations | Tom Kitt |
2009 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Tom Kitt |
2009 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Brian Yorkey |
2009 | Tony Awards | Best Performance by an Actor in a Leading Role in a Musical | J. Robert Spencer |
2009 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Jennifer Damiano |
2009 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Alice Ripley |
2009 | Tony Awards | Best Scenic Design of a Musical | Mark Wendland |
2009 | Tony Awards | Best Sound Design of a Musical | Brian Ronan |
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