Ready for a great escape? Travel no further than the Nederlander Theatre, where Tony winner Idina Menzel is making her Broadway return in Redwood. The new, original musical arrives with direction by Tony Award nominee Tina Landau, music by Kate Diaz, and lyrics by Diaz and Landau.
Menzel does not just star in the show. She also co-conceived the project with Landau. The musical premiered in early 2024 in a sold-out run at La Jolla Playhouse. Redwood marks her first return to Broadway since starring in If/Then in 2014.
What's it all about? Redwood is a transportive new musical about one woman’s journey into the precious and precarious world of the redwood forest. Jesse is a successful businesswoman, mother and wife who seems to have it all, but inside, her heart is broken. Finding herself at a turning point, Jesse leaves everyone and everything behind, gets in her car and drives… Thousands of miles later, she hits the majestic forests of Northern California, where a chance meeting and a leap of faith change her life forever.
With its deeply personal story, refreshingly contemporary sound, and awe-inspiring design, Redwood explores the lengths –and heights– one travels to find strength, resilience and healing.
Looking for nature's remedy? It's on Broadway in Redwood!
The high-tech staging thrills, as when Menzel spins upside down from her rope while belting a ballad. But the thin, repetitive story and composer/co-lyricist Kate Diaz’s score keep bringing the show back down to earth. The songs seem tailor-made for Menzel’s magnificent voice, but there’s an exhausting sameyness to these melisma-heavy pop ballads in which virtually every phrase goes up a third during the final word, like a bird that can’t quite decide where it should land. Menzel is a natural stage star, and there are moments when Redwood truly soars, but you can only defy the gravity of real life for so long.
Menzel has range, but Jesse doesn’t, and that’s Redwood’s chief failure. One moment she’s gregariously chatty and wisecracking, the next caustically defensive. Then she’s half-deliriously humming “Part of Your World” from The Little Mermaid. She’s also prone to PTSD-like flashbacks and quasi-hallucinations that sear across the stage with jolting sound and lighting effects. Menzel plays each of these individual moments convincingly, loosely tracing Jesse’s growing understanding that she can’t hide from her grief, but the music is too repetitive, the lyrics too broad, and the structure too airy for Jesse’s idiosyncrasies to ever cohere.
| 2025 | Broadway |
Original Broadway Production Broadway |
| Year | Ceremony | Category | Nominee |
|---|---|---|---|
| 2025 | Drama Desk Awards | Outstanding Projection and Video Design | Hana S. Kim |
| 2025 | Drama League Awards | DISTINGUISHED PERFORMANCE | Idina Menzel |
| 2025 | Outer Critics Circle Awards | Outstanding Video/Projections | Hana S. Kim |
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