Vanities—The Musical is a heartfelt and humorous chronicle of the lives of three women, Joanne, Kathy, and Mary, tracing them from their late teen years through adulthood. They grow and change, testing the limits of what they thought they knew about themselves, as well as the narrow views of women society has presented them.
In its girl-bonding giddiness and primitive stirrings of feminism, the original Vanities somewhat resembled a contemporary effort by Wendy Wasserstein, Uncommon Women and Others, only the latter was more consistent and dug deeper. Vanities- The Musical cobbles such themes together with reasonable dexterity and isn't a chore to sit through, but it simmers, simmers, simmers, never reaching a boil. Those themes may land more strongly with ex-sorority girls of a certain age than they did with this curmudgeon. You'll enjoy Kirshenbaum's pleasant melodies, perhaps identify with the uncomfortable pangs inherent in long-term friendships, and probably be mildly moved by the end. But Vanities–The Musical ends where it does only because it has no place else to go.
With Pomerantz and his winning company on board, Vanities-The Musical nonetheless remains not only diverting but endearing, right up to the feel-good conclusion that Heifner and Kirshenbaum have provided. Heifner’s play was never a searing piece of social commentary to begin with, and by continuing to brighten both the presentation and the resolution of this spinoff, he’s giving his nearly 50-year-old baby room to grow.
2005Â Â | New York |
Reading New York |
2006Â Â |
World Premiere |
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2006Â Â | New York |
NAMT Reading New York |
2009Â Â | Off-Broadway |
Off-Broadway |
2023Â Â | Off-Broadway |
York Theatre Company Off-Broadway Production Off-Broadway |
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