A tale of malice, matrimony and murder, MACBETH tells the story of one couple’s obsession with power—and their guilt after doing the unthinkable. For 15 weeks only, this thrilling new production will capture the passion and ferocity of Shakespeare’s most haunting text like never before.
Daniel Craig and Ruth Negga assumed the roles of, respectively, the title figure and Lady Macbeth. Intermittently, they appeared to be trying out some of the more tense emotions they would display in a finished production-Negga more so than Craig. Twelve actors completed the ensemble, several of them emoting somewhat-Paul Lazar as Duncan and the Porter, Grantham Coleman as MacDuff, Amber Gray as Banquo (addressed with the use of she-her-hers pronouns). The rest delivered Shakespeare's dialog as if still learning their assigned lines. Some seemed amused to be mouthing Shakespeare's words. More than one of the male performers spoke Shakespeare's grave iambic pentameters with their hands in their trouser pockets.
I wish I didn't have the nagging feeling that the director was less interested in these actors than in his special touches. These include a particular attention to gore (an amputated leg chopped up as part of the witches' brew elicited an audible blecchh from the audience.) This seems ironic, because this 'Macbeth' struck me as a bit bloodless.
1870 | Broadway |
Original Broadway Production Broadway |
2018 | West End |
Royal Shakespeare Company London Production West End |
2022 | Broadway |
Limited Engagement Broadway |
West End |
West End |
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West End |
West End |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2022 | Drama Desk Awards | Outstanding Actress in a Play | Ruth Negga |
2022 | Tony Awards | Best Lighting Design of a Play | Jane Cox |
2022 | Tony Awards | Best Performance by an Actress in a Leading Role in a Play | Ruth Negga |
2022 | Tony Awards | Best Sound Design of a Play | Mikaal Sulaiman |
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