It's simply the best! From humble beginnings in Nutbush, Tennessee, to her transformation into the global Queen of Rock 'n' Roll, Tina Turner didn't just break the rules, she rewrote them.
This new stage musical, reveals the untold story of a woman who dared to defy the bounds of her age, abuse, gender, and race. Featuring a book by Katori Hall, direction by Phyllida Lloyd, and unbelievable performances, Tina: The Tina Turner Musical will leave you tapping your toes and exhilarated by a one-of-a-kind theatrical experience.
Foremost, there is Warren, who delivers a performance of superhuman stamina and skill. She's more tightly controlled than the real-life Turner; her movement is sharper, her vocals less raspy, and she barely seems to break a sweat. But she makes the part her own. During the mini-concert that ends the show, in Turner's trademark punk-lioness hair-free from the burden of narrative, and backed by an onstage band-Warren struts with earned confidence. The audience by then is on its feet, and at hers. She has risen.
The impersonation itself isn't perfect. After a run of scenes speaking in Turner's distinctive voice, Warren sometimes sounds like she's lapsing into 'cartoon old lady' instead of Turner's sandy rasp. But who cares? It's never a barrier, and it's all forgotten the moment she sings. Director Phyllida Lloyd has built long, multiscene sequences in Tina that crash like waves, massive song after mammoth hit after monster performance. Warren doesn't bear up under them-she rises up and smashes down too. She's gigantic. She's tidal.
2019 | Broadway |
Original Broadway Production Broadway |
2021 | West End |
Original West End Production West End |
2022 | US Tour |
North American Tour US Tour |
2024 | US Tour |
North American Tour US Tour |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2020 | Drama Desk Awards | Outstanding Actress in a Musical | Adrienne Warren |
2020 | Drama Desk Awards | Outstanding Costume Design for a Musical | Mark Thompson |
2020 | Drama Desk Awards | Outstanding Lighting Design for a Musical | Bruno Poet |
2020 | Drama Desk Awards | Outstanding Wig and Hair Design | Campbell Young Associates |
2020 | Drama League Awards | Distinguished Performance Award | Adrienne Warren |
2020 | Drama League Awards | Outstanding Production of a Musical | Tina: The Tina Turner Musical |
2020 | Outer Critics Circle Awards | Outstanding Actress in a Musical | Adrienne Warren |
2020 | Outer Critics Circle Awards | Outstanding Choreographer | Anthony Van Laast |
2020 | Outer Critics Circle Awards | Outstanding Costume Design | Mark Thompson |
2020 | Outer Critics Circle Awards | Outstanding Featured Actor in a Musical | Daniel J. Watts |
2020 | Outer Critics Circle Awards | Outstanding New Broadway Musical | Tina: The Tina Turner Musical |
2020 | Tony Awards | Best Book of a Musical | Katori Hall |
2020 | Tony Awards | Best Choreography | Anthony Van Laast |
2020 | Tony Awards | Best Costume Design of a Musical | Mark Thompson |
2020 | Tony Awards | Best Direction of a Musical | Phyllida Lloyd |
2020 | Tony Awards | Best Lighting Design of a Musical | Bruno Poet |
2020 | Tony Awards | Best Musical | Tina: The Tina Turner Musical |
2020 | Tony Awards | Best Orchestrations | Ethan Popp |
2020 | Tony Awards | Best Performance by an Actor in a Featured Role in a Musical | Daniel J. Watts |
2020 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Myra Lucretia Taylor |
2020 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Adrienne Warren |
2020 | Tony Awards | Best Scenic Design of a Musical | Mark Thompson |
2020 | Tony Awards | Best Sound Design of a Musical | Nevin Steinberg |
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