Roundabout Theatre Company presents the Broadway premiere of Marvin’s Room, Scott McPherson's award-winning, wildly funny play about the laughter that can shine through life’s darkest moments. Anne Kauffman (Marjorie Prime, Maple and Vine) directs.
Lee is a single mother who's been busy raising her troubled teenage son, Hank. Her estranged sister Bessie has her hands full with their elderly father, his soap opera-obsessed sister - and a brand-new life-or-death diagnosis. Now the women are about to reunite for the first time in 18 years. Are Lee's good intentions and makeover skills enough to make up for her long absence? Can Bessie help Hank finally feel at home somewhere... or at least keep him from burning her house down? Can these almost-strangers become a family in time to make plans, make amends, and maybe make a trip to Disney World?
Exploring an unsentimental reality with hope, compassion and a dose of wonderfully absurd humor, Marvin's Room is a life-affirming reminder of the gift we give ourselves when we love unconditionally.
A cute sense of humor pops up throughout the play, such as when Ruth dresses up for a special episode of her favorite television soap opera, Lee shamelessly dumps a tray of candy into her purse while touring a nursing home and Bessie is rescued at Disney World by a costumed cartoon character. Staging the play is deceptively difficult, as its slow pace and confessional mini-monologues can easily become tedious, and that is often the case with this production (directed by Anne Kauffman, who has extensive Off-Broadway credits). Laura Jellinek's misconceived set design is overly expansive (with the actors frequently far away from each other) and elaborate (requiring the assistance of visible stagehands) and yet still incomplete (with a backyard scene performed around the kitchen).
I particularly marveled at the way Taylor processed any bad news that comes Bessie's way. She segues briskly from shock to resilience, with the speed and force of a Gulf Coast storm, the way some people-lucky people-can do when faced with ill circumstances that are beyond their control. It's easy, as well, to empathize with Garofalo's chain-smoking Lee (the smoking, by the way, is the only indication 'Marvin's Room' is set some years ago). Hank's adolescent meltdowns have already pushed Lee to the brink, even before Bessie's diagnosis spurred this undesired trip from Ohio to Florida.
1991 | Off-Broadway |
Off-Broadway |
1992 | Off-Broadway |
Off-Broadway |
2017 | Broadway |
Roundabout Theatre Company Original Broadway Production Broadway |
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