The angst, anguish and amity of the American middle class are first coaxed - then shoved - into the light in this uproarious, hopeful, and heart-breaking play that takes place over the course of a family dinner on Thanksgiving. Breaking with tradition, Erik Blake (Birney) has brought his Pennsylvania family to celebrate and give thanks at his daughter's apartment in lower Manhattan. As darkness falls outside the ramshackle pre-war duplex, and eerie things start to go bump in the night, the Blake clan's deepest fears and greatest follies are laid bare. Our modern age of anxiety is keenly observed, with humor and compassion, in this new American classic.
The finest new play of the Broadway season so far -- by a long shot -- Mr. Karam's drama has been beautifully transferred from Off Broadway...with the production's prized virtues intact: a peerless cast, whose members all inhabit their characters as if they've been living in their itchy skins forever; direction from Joe Mantello that stealthily navigates the play's delicate shifts, from witty domestic comedy to painful conflict, and from there to something resembling a goose-pimply chiller; and a set, designed by David Zinn, that perfectly captures the unsettled atmosphere the writing so deftly establishes.
In a mere 95 minutes, the playwright -- bolstered by a whip-smart director, Joe Mantello, and pitch-perfect cast of six -- delves into the dynamics of this clan with a gentleness that feels like compassion and a scrupulousness that borders on the forensic...If anything, the levels of tension and humor in 'The Humans' have been skillfully ratcheted up since the play's transfer to Broadway from Roundabout Theater Company's Laura Pels Theatre, where it had its off-Broadway New York debut last fall. The actors, encouraged by Mantello, isolate all of the warm and sore spots that unify and divide the Blakes, the affections and fissures that drive them into an ever-changing pattern of alliances.
2015 | Off-Broadway |
Roundabout Theatre Company Off-Broadway Production Off-Broadway |
2016 | Broadway |
Original Broadway Production Broadway |
2017 | US Tour |
First National Tour US Tour |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2016 | BroadwayWorld Awards | Best Play | The Humans |
2016 | Drama Desk Awards | Outstanding Director of a Play | Joe Mantello |
2016 | Drama Desk Awards | Outstanding Lighting Design for a Play | Justin Townsend |
2016 | Drama Desk Awards | Outstanding Play | The Humans |
2016 | Drama Desk Awards | Outstanding Sound Design in a Play | Fitz Patton |
2016 | Drama Desk Awards | Special Drama Desk Award for Outstanding Ensemble | The Humans |
2016 | Drama League Awards | Distinguished Performance Award | Reed Birney |
2016 | Drama League Awards | Distinguished Performance Award | Jayne Houdyshell |
2016 | Drama League Awards | Outstanding Production of a Broadway or Off-Broadway Play | Stephen Karam |
2016 | New York Drama Critics Circle Awards | Best Play | The Humans |
2016 | Outer Critics Circle Awards | Outstanding Actor in a Play | Reed Birney |
2016 | Outer Critics Circle Awards | Outstanding Actress in a Play | Jayne Houdyshell |
2016 | Outer Critics Circle Awards | Outstanding Director of a Play | Joe Mantello |
2016 | Outer Critics Circle Awards | Outstanding New Broadway Play | Stephen Karam |
2016 | The Lortels | Outstanding Featured Actress in a Play | Lauren Klein |
2016 | The Lortels | Outstanding Lead Actor in a Play | Reed Birney |
2016 | The Lortels | Outstanding Lead Actress in a Play | Jayne Houdyshell |
2016 | The Lortels | Outstanding Lighting Design | Justin Townsend |
2016 | The Lortels | Outstanding Scenic Design | David Zinn |
2016 | The Lortels | Outstanding Sound Design | Fitz Patton |
2016 | Tony Awards | Best Direction of a Play | Joe Mantello |
2016 | Tony Awards | Best Lighting Design of a Play | Justin Townsend |
2016 | Tony Awards | Best Performance by an Actor in a Featured Role in a Play | Reed Birney |
2016 | Tony Awards | Best Performance by an Actress in a Featured Role in a Play | Jayne Houdyshell |
2016 | Tony Awards | Best Play | Stephen Karam |
2016 | Tony Awards | Best Scenic Design of a Play | David Zinn |
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