Fish In the Dark is the new comedy written by Larry David, the creator and star of HBO's "Curb Your Enthusiasm" and co-creator of "Seinfeld." Fish In the Dark is directed by Anna D. Shapiro and marks Tony-winner Jason Alexander's Broadway return and features Jayne Houdyshell, Jake Cannavale, Jonny Orsini, Rosie Perez, and Jerry Adler.
So here we have Larry David and Fish in the Dark, at the Cort Theatre. And it turns out the thing is an absurdistly daffy laff fest...Mr. David is once again playing himself in Fish in the Dark. Can he really by as objectionably cantankerous a being as the one he draws for us? Standing on the stage of the Cort, he sneers at his audience like a cartoon caricature of a bespectacled turtle cautiously sticking his head out of his shell only to find a smiley-faced insurance salesman; one suspects that underneath the persona, though, he is just an old teddy bear...The whole thing is in excessively poor taste, which students of the Mel Brooks school of etiquette know can make for high-grade hilarity...While the new play draws the same sort of high-octane laughter as the fabled Neil Simon comedies of yesteryear, it is closer in style to Herb Gardner's A Thousand Clowns or Murray Schisgal's Luv. They don't write plays like these anymore, no; but Fish in the Dark is the modern-day equivalent...Art it ain't; Fish in the Dark isn't O'Neill, or even O. Neil Simon. But it's funny, and it's boffo.
In Fish in the Dark...David plays what we can assume is another version of his real self...The Anna D Shapiro-directed play...looks in on a family grappling with a tragedy and what comes after, something he calls 'death etiquette'. It's a topic that puts David in his element. Dealing with parents, sex, death and the marital strife that comes with it: it's all there, and at times it's hilarious...he has the ability to slay the crowd with a gesture: standing on stage, arms out to both sides in mock outrage, a colossal grin on his face...While the set pieces are concocted with genius, and some...turn toe-curling into an art form, they don't come sublimely full circle in the way that David's plots are known and praised for. The show is very linear, and some of the funniest and cleverest scenes are cut off before they can really blossom. By the admittedly exceptional comic standards David has laid down, this ranks alongside an average episode of Curb Your Enthusiasm.
2015 | Broadway |
Original Broadway Production Broadway |
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