Two-time Academy Award nominee Bradley Cooper (American Hustle, Silver Linings Playbook) returns to Broadway in Bernard Pomerance's Tony Award-winning classic THE ELEPHANT MAN. Directed by Tony nominee Scott Ellis, THE ELEPHANT MAN is one of the hottest productions to emerge from the prestigious Williamstown Theatre Festival, where it had theatergoers lining up hours ahead of time in the hopes of securing a ticket. This extremely limited engagement also stars Academy Award nominee and Emmy Award winner Patricia Clarkson ("Six Feet Under") and Alessandro Nivola (American Hustle).
Based on the real life of Joseph Merrick, THE ELEPHANT MAN tells the story of a 19th-century British man (Cooper) who became a star of the traveling freak show circuit. When the renowned Dr. Treves (Nivola) takes Merrick under his care, he is astonished by the man's brilliant intelligence, unshakable faith and, most of all, his resounding desire for love and understanding. He introduces Merrick to the beautiful actress Mrs. Kendal (Clarkson), who is deeply touched by this pure and genuine soul. As a complex friendship blossoms among the three, Treves and Kendal struggle to protect Merrick from a world of questionable intentions... and so begins a story of love as unique as "The Elephant Man" himself.
The Booth Theatre is one of Broadway's most intimate venues and seating is limited.
Advance purchase is highly recommended.
Unlike John Hurt in Lynch's film, Merrick on stage is not overloaded with make-up or prosthetics. Deploying impressive physical dexterity, Cooper contorts his face and body to convey his character's disfigurement. Merrick is rescued from being a touring freak show object in Belgium by Sir Frederick Treves, a surgeon at the London Hospital, who makes it his mission to understand him. Alessandro Nivola brilliantly portrays Treves as a creature of the establishment, ultimately more insecure than his impaired pupil.
As Treves dispassionately drones on about his subject's twisted limbs and misshapen torso, Cooper stands stock still in a cone of light and silently contorts his own perfect body into an approximation of each deformity. The piece de résistance is his depiction of the 'wide slobbering aperture' that is Merrick's mouth. Shaping his own mouth into a fleshy oval, the thesp gives expressive voice to the sensitive and intelligent human being imprisoned in his own body. It's a stunning performance, deeply felt and very moving.
1979 | Off-Broadway |
Off-Broadway |
1979 | Broadway |
Broadway |
2002 | Broadway |
Broadway Revival Broadway |
2014 | Broadway |
Broadway Revival Broadway |
2015 | West End |
West End West End |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2015 | BroadwayWorld Awards | Best Revival of a Play | The Elephant Man |
2015 | Drama Desk Awards | Outstanding Revival of a Play | The Elephant Man |
2015 | Drama League Awards | Distinguished Performance Award | Bradley Cooper |
2015 | Drama League Awards | Outstanding Revival of a Broadway or Off-Broadway Play | Bernard Pomerance |
2015 | Outer Critics Circle Awards | Outstanding Actor in a Play | Bradley Cooper |
2015 | Outer Critics Circle Awards | Outstanding Revival of a Play | The Elephant Man |
2015 | Tony Awards | Best Performance by an Actor in a Featured Role in a Play | Alessandro Nivola |
2015 | Tony Awards | Best Performance by an Actor in a Leading Role in a Play | Bradley Cooper |
2015 | Tony Awards | Best Performance by an Actress in a Featured Role in a Play | Patricia Clarkson |
2015 | Tony Awards | Best Revival of a Play | Hal Luftig |
2015 | Tony Awards | Best Revival of a Play | The Elephant Man |
2015 | Tony Awards | Best Revival of a Play | Williamstown Theatre Festival |
2015 | Tony Awards | Best Revival of a Play | Brian Zeilinger |
2015 | Tony Awards | Best Revival of a Play | Scott Zeilinger |
2015 | Tony Awards | Best Revival of a Play | WLE MSG, LLC. |
2015 | Tony Awards | Best Revival of a Play | Jonathan M. Tisch |
2015 | Tony Awards | Best Revival of a Play | Douglas Smith |
2015 | Tony Awards | Best Revival of a Play | The Shubert Organization |
2015 | Tony Awards | Best Revival of a Play | Stephanie P. McClelland |
2015 | Tony Awards | Best Revival of a Play | Peter May |
2015 | Tony Awards | Best Revival of a Play | Arielle Tepper Madover |
2015 | Tony Awards | Best Revival of a Play | Edward M. Kaufmann |
2015 | Tony Awards | Best Revival of a Play | Van Kaplan |
2015 | Tony Awards | Best Revival of a Play | Jeffrey Finn Productions |
2015 | Tony Awards | Best Revival of a Play | Larry Hirschhorn |
2015 | Tony Awards | Best Revival of a Play | Roy Furman |
2015 | Tony Awards | Best Revival of a Play | Patrick Catullo |
2015 | Tony Awards | Best Revival of a Play | Caiola Productions |
2015 | Tony Awards | Best Revival of a Play | Roger Berlind |
2015 | Tony Awards | Best Revival of a Play | Catherine Adler |
2015 | Tony Awards | Best Revival of a Play | Terry Allen Kramer |
2015 | Tony Awards | Best Revival of a Play | James L. Nederlander |
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