SCANDALOUS is based on the life of Aimee Semple McPherson (1890-1944), the world's first media superstar evangelist -- a woman whose passion for saving souls equaled her passion for making sensational headlines and attracting overflow crowds of thousands throughout the world. Time Magazine named Aimee Semple McPherson one the most influential people of the twentieth century.
Set in 1920's Los Angeles, holiness collides with Hollywood in this extraordinary tale of one remarkable woman's charismatic rise to fame amidst scandalous love affairs and growing controversy, inevitably ending in her much-publicized fall from grace.
Scandalous: The Life and Trials of Aimee Semple McPherson...may not have a firm grasp on whether its subject was a heroically crusading woman of God or a hypocritical mountebank, but one thing's for certain: She sure was a grand ol' gal! That seems to be the main theme of Kathie Lee Gifford's script, and it works in part. The songs...provide emotional and plot development that help keep the story moving at a quick clip...David Armstrong's direction flows effortlessly from one episode in McPherson's life to the next with minimal hiccups, and Carolee Carmello gives a charismatic performance in the lead, belting out her numbers like a one-woman church choir...The scandal of the title is given surprisingly short shrift...It's a complex story filled with a lot of knotty issues, but much of the nuance gets glossed over in this production, overstuffed as it is with other, less fascinating anecdotes, like a lengthy introductory sequence about her early life as a Canadian farm girl. Still, Scandalous has enough high energy and witty lines to help to atone for some of its sins. B–
“The Life and Trials of Aimee Semple McPherson,” as the show is subtitled, are actually much more fascinating than you would gather from this formulaic Broadway musical...“Scandalous'...condenses and rearranges McPherson’s story to fit smoothly into the familiar grooves of celebrity biography. In the process the show reduces McPherson’s remarkable life to a cliché-bestrewn fable about the wages of fame…“Scandalous” isn’t so much scandalously bad as it is generic and dull…Ms. Carmello, a gloriously gifted singing actress, has never managed to snag a star-making breakout role on Broadway — not all that surprising in these difficult days for musical theater. Sister Aimee certainly provides plenty of opportunities for Ms. Carmello to thrill us with the purity and power of her voice. She leads a few rousing come-to-Jesus gospel-tinged numbers with bright-beaming intensity. She delivers the climactic soul-baring ballad with plenty of emotional heat. What she cannot do — no singer without the power of miracle could — is bring distinction to songs that never rise above the serviceable.
| 2012 | Broadway |
Original Broadway Production Broadway |
| Year | Ceremony | Category | Nominee |
|---|---|---|---|
| 2013 | Drama Desk Awards | Outstanding Actress in a Musical | Carolee Carmello |
| 2013 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Carolee Carmello |
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