Abingdon Square 1987

Stage Left Theatre is pleased to announce the programming for its 35th season. The season begins with the world premiere of The Bottle Tree by Beth Kander directed by ensemble member Amy Szerlong. The Bottle Tree was developed through Stage Left's Downstage Left program, at the Ashland New Plays Festival and and has received an Honorable Mention on The Kilroys List for the past two years. Next, in the winter, Stage Left and Cor Theatre present a co-production of What of the Night? by Maria Irene Fornes, directed by Carlos Murillo. This epic meditation on poverty in America was a Pultizer finalist in 1990. Cor Theatre Artistic Director Tosha Fowler says of the partnership, 'With admiration for Stage Left's longevity and the exciting opportunities they provide to artists through their strong commitment to mission, we at Cor are thrilled to announce a collaboration of theatre that is bound to leave you breathless. Combining Stage Left's strength with our fearless aesthetic, Fornes' poetically primal voice, and Carlos Murillo's passionate vision, What of the Night is going to be our biggest leap yet.' Finally, the company will present LeapFest, its annual developmental festival featuring workshop productions of new plays, at a time to be announced later.

On Her Shoulders is pleased to present a FREE staged reading of The Office (1966) by Maria Irene Fornes, directed by Alice Reagan tonight, October 1, 2014. Doors open at 6:30pm; The Play in Context, which situates the script in its historical time and place, kicks off the evening at 6:45pm with an Introduction by dramaturg Morgan Jenness.

On Her Shoulders is pleased to present a FREE staged reading of The Office (1966) by Maria Irene Fornes, directed by Alice Reagan on Wednesday, October 1, 2014. Doors open at 6:30pm;The Play in Context, which situates the script in its historical time and place, kicks off the evening at 6:45pm with an Introduction by dramaturg Morgan Jenness.

INTAR (Eduardo Machado, Artistic Director/John McCormack, Executive Director) and New York University's Department of English and its Program in Dramatic Literature will end its celebration of the 80th birthday of playwright, director and teacher Maria Irene Fornés on April 5th.

INTAR (Eduardo Machado, Artistic Director/John McCormack, Executive Director) and New York University's Department of English and its Program in Dramatic Literature announced some of the cast members to celebrate the 80th birthday of playwright, director and teacher Maria Irene Fornés.

INTAR (Eduardo Machado, Artistic Director/John McCormack, Executive Director) will join New York University's Department of English and its Program in Dramatic Literature to celebrate the 80th birthday of playwright, director and teacher Maria Irene Fornés.

INTAR (Eduardo Machado, Artistic Director/John McCormack, Executive Director) will join New York University's Department of English and its Program in Dramatic Literature to celebrate the 80th birthday of playwright, director and teacher Maria Irene Fornés.

San Francisco's cutting-edge Cutting Ball Theater announces the extension of the company's current production of Mar?a Irene Forn?s's poetic and penetrating MUD. MUD will extend for an additional week of performance, playing now through February 15 at the Cutting Ball Theater in residence at Exit on Taylor, 277 Taylor Street in San Francisco. For tickets ($15-30) and more information, the public may visit cuttingball.com or call 800-838-3006. It is 1973 and Mae has just begun to learn how to read; things finally seem to be taking a turn for the better. As she tries to rise above her humble Midwestern origins, Mae must keep the two men in her life, foster brother and former lover Lloyd, and new boyfriend Henry, from dragging her back down. Little does Mae know that the first strong decision she's ever made about her life may be the last decision she will ever make. 'After spending two weeks at the Dialog Festival in Wroclaw, Poland last year, I came back to San Francisco with a new idea about what really good and interesting theater ought to be,' said MUD director Paige Rogers. 'The sense of humanness I experienced, where the audience breathes along with the performance, is such an elemental aspect of theater and something I feel Cutting Ball can give its audience in its new performance space. I am directing Fornes' MUD with this idea, that less is more, and I believe that each audience member will take away something personal and different that will stay with them for a long time.'

San Francisco's cutting-edge Cutting Ball Theater announces the extension of the company's current production of Mar?a Irene Forn?s's poetic and penetrating MUD. MUD will extend for an additional week of performance, playing now through February 15 at the Cutting Ball Theater in residence at Exit on Taylor, 277 Taylor Street in San Francisco. For tickets ($15-30) and more information, the public may visit cuttingball.com or call 800-838-3006. It is 1973 and Mae has just begun to learn how to read; things finally seem to be taking a turn for the better. As she tries to rise above her humble Midwestern origins, Mae must keep the two men in her life, foster brother and former lover Lloyd, and new boyfriend Henry, from dragging her back down. Little does Mae know that the first strong decision she's ever made about her life may be the last decision she will ever make. 'After spending two weeks at the Dialog Festival in Wroclaw, Poland last year, I came back to San Francisco with a new idea about what really good and interesting theater ought to be,' said MUD director Paige Rogers. 'The sense of humanness I experienced, where the audience breathes along with the performance, is such an elemental aspect of theater and something I feel Cutting Ball can give its audience in its new performance space. I am directing Fornes' MUD with this idea, that less is more, and I believe that each audience member will take away something personal and different that will stay with them for a long time.'