Mary Poppins has arrived at Broadway's magnificent New Amsterdam Theatre in a new musical so extraordinarily enchanting that, like critics, you'll have just one word for it: Supercalifragilisticexpialidocious!
Based on P.I. Travers' cherished stories and the classic 1964 Walt Disney film, MARY POPPINS, currently one of London's biggest sensations, features the Sherman brothers' original Academy Award-winning songs. In collaboration with Cameron Mackintosh, the show has been created by Academy Award-winning screenwriter Julian Fellowes, who has written the book, and the Olivier Award-winning team of George Stiles and Anthony Drewe, who have composed new songs and additional music and lyrics.
Olivier Award-winning director Richard Lyre leads a dream team of vision and stagecraft, bringing to life the story of the Banks family and their magical nanny. Co-direction and choreography is by Olivier Award-winner Matthew Bourne, set and costume design is by Tony Award winner Bob Crowley, co-choreography is by Olivier Award-winner Stephen Mear, and lighting design is by Olivier Award-winner Howard Harrison.
MARY POPPINS marks the first collaboration between Disney, producer of such acclaimed productions as THE LION KING, BEAUTY AND THE BEAST and TARZAN, and Cameron Mackintosh, legendary producer of record-breaking shows THE PHANTOM OF THE OPERA, CATS and LES MISERABLES.
The biggest surprise of Mary Poppins—I can’t believe I’m typing this—is that Disney has tried too hard to make a serious musical. The stage version delves more deeply than the film into the domestic troubles of the Banks home. This being a Disney story, you know from the start that Dad’s job anxiety and Mom’s life frustrations are just setting you up for a huggy Spielbergian finale. But what are the maniac toys from Shockheaded Peter doing marauding around the nursery, menacing little Michael and Jane? Since when does anybody care about what goes on at Dad’s looming, vaguely Masonic bank?
Well, she flies. She opens her parrot-handled umbrella, takes hold of her carpetbag, then soars out and up over the seats at the New Amsterdam Theatre - presumably to a place where a magic nanny can hole up until required by the next unruly family. Excellent flying. Otherwise, 'Mary Poppins,' the show for which 'The Lion King' got kicked to the Minskoff Theatre, is a quaint, muddled, beautiful-looking musical with plenty of spectacle but even more emotional distance.
2004 | West End |
Original London Production West End |
2006 | Broadway |
Original Broadway Production Broadway |
2009 | US Tour |
National Tour US Tour |
2021 | West End |
West End Revival West End |
2021 | West End |
West End |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2007 | BroadwayWorld Awards | Best Costume Design | Bob Crowley |
2007 | BroadwayWorld Awards | Best Scenic Design | Bob Crowley |
2007 | Outer Critics Circle Awards | Outstanding Actor in a Musical | Gavin Lee |
2007 | Outer Critics Circle Awards | Outstanding Actress in a Musical | Ashley Brown |
2007 | Outer Critics Circle Awards | Outstanding Choreography | Stephen Mear |
2007 | Outer Critics Circle Awards | Outstanding Choreography | Stephen Mear |
2007 | Outer Critics Circle Awards | Outstanding Choreography | Matthew Bourne |
2007 | Outer Critics Circle Awards | Outstanding Choreography | Matthew Bourne |
2007 | Outer Critics Circle Awards | Outstanding Costume Design | Bob Crowley |
2007 | Outer Critics Circle Awards | Outstanding Director of a Musical | Matthew Bourne |
2007 | Outer Critics Circle Awards | Outstanding Director of a Musical | Richard & Bourne |
2007 | Outer Critics Circle Awards | Outstanding Director of a Musical | Eyre |
2007 | Outer Critics Circle Awards | Outstanding Featured Actor in a Musical | Daniel Jenkins |
2007 | Outer Critics Circle Awards | Outstanding Featured Actress in a Musical | Rebecca Luker |
2007 | Outer Critics Circle Awards | Outstanding Lighting Design | Howard Harrison |
2007 | Outer Critics Circle Awards | Outstanding New Broadway Musical | 0 |
2007 | Outer Critics Circle Awards | Outstanding New Score | 0 |
2007 | Outer Critics Circle Awards | Outstanding Set Design | Bob Crowley |
2007 | Theatre World Awards | Performance | Gavin Lee |
2007 | Tony Awards | Best Choreography | Stephen Mear |
2007 | Tony Awards | Best Choreography | Matthew Bourne |
2007 | Tony Awards | Best Lighting Design of a Musical | Howard Harrison |
2007 | Tony Awards | Best Musical | Cameron Mackintosh |
2007 | Tony Awards | Best Musical | Disney Theatrical Productions |
2007 | Tony Awards | Best Performance by an Actor in a Leading Role in a Musical | Gavin Lee |
2007 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Rebecca Luker |
2007 | Tony Awards | Best Scenic Design of a Musical | Bob Crowley |
2007 | Tony Awards | Best Scenic Design of a Musical | Bob Crowley |
2006 | Drama Desk Awards | Outstanding Actress in a Musical (tie) | Ashley Brown |
2006 | Drama Desk Awards | Outstanding Book of a Musica | Julian Fellowes |
2006 | Drama Desk Awards | Outstanding Choreograph | Matthew Bourne |
2006 | Drama Desk Awards | Outstanding Choreograph | Stephen Mear |
2006 | Drama Desk Awards | Outstanding Featured Actor in a Musical | Gavin Lee |
2006 | Drama Desk Awards | Outstanding Musical | Mary Poppins |
2006 | Drama Desk Awards | Outstanding Set Design of a Musical | Bob Crowley |
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