Tony® and Olivier Award-winning actor and songwriter GAVIN CREEL (HELLO, DOLLY!, INTO THE WOODS) had never been to The Metropolitan Museum of Art…until now. Inspired by the countless hours he spent wandering through the world-renowned collections of the museum for a MetLiveArts commission, WALK ON THROUGH is a thrilling new musical event featuring 17 original, infectious, pop-infused songs. In his theatrical songwriting debut, Creel takes us on an intimate, relatable journey of discovery and transformation through the lens of the art that captured his imagination. Whether you are a museum lover or a fellow novice, this show invites you to take a walk with Creel and engage with art, song, and the creative process in a fresh and new way.
Like a lot of recent solo shows (see also Rachel Bloom), Walk on Through runs aground when it tries to accommodate the emotional impact of the pandemic, as Creel and director Linda Goodrich arrive at an overdramatic curtain-pulling depiction of the Met’s shutdown of the museum. But once Creel does head back to the museum, he encounters a new visitor, and the two of them discuss their differing interpretations of an Edward Hopper painting of the view from the Williamsburg Bridge. One sees a hopeful daydreamer looking out that window, another someone crushed by the loneliness of the city. “We’re both looking at the same thing, but we’re each seeing it totally differently,” Creel muses. That’s one of those little observations that might seem trite, but it does carry a lot with it. You go to an exhibition, or a musical, to encounter someone else’s view of the world, but you yourself can only see it through your own little window. And your view, in turn, can become its own layer of interpretation, passed off to someone else.
It’s borderline corny, yes, but Creel’s gusto is endearing. The painting also illuminates how pain is captured by art. There’s plenty more ache to go around when Vasquez appears as Creel’s ex (identified simply as H, in the script), who alludes to their failed relationship. Some moments, however, don’t gel. In one inspired by a painting of a biblical heroine who killed a besieging general, Hair alum Sasha Allen belts overtime, and the head-scratching number stops the show for the wrong reason.
2023 | Off-Broadway |
MCC Theater Off-Broadway Premiere Production Off-Broadway |
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