Winner of the 2022 Drama Desk and Outer Critics Circle Awards for Best Play, Joshua Harmon’s Prayer for the French Republic bursts onto Broadway after MTC’s highly acclaimed extended, sold-out Off-Broadway run. In 1944, a Jewish couple in Paris desperately awaits news of their missing family. More than 70 years later, the couple’s great-grandchildren find themselves facing the same question as their ancestors: "Are we safe?" This celebrated work by the author of Bad Jews and Significant Other is about history, home and the effects of an ancient hatred. The New York Times calls it "thought-provoking, heart-wrenching and wickedly funny." Directing is David Cromer, a Tony Award® winner for The Band's Visit.
That’s not to say that “Prayer for the French Republic” should have been about something other than the story it tells. But it doesn’t tell it in a compelling or nuanced manner — despite Harmon having set himself up to succeed with a flashback story that could, but does not, provide real context and present-day interlocutors who could, but do not, push the Benhamous beyond platitudes. The debates the Benhamous are having are ones that are happening in our own republic — at dinner tables and in group chats, on Instagram and at protests. And in that way the play is right on time. But for all the capaciousness of the show’s story, what it’s ultimately trying to do is narrow: To explain a choice a group of characters make by proving that those opposed to it just aren’t being serious. It’s a case, it turns out, that takes three hours to conclusively prove.
With the inestimable assistance of Kata’s then-and-now set, Amith Chandrashaker’s lighting design, Daniel Kluger’s music and sound design and Sarah Laux’s spot-on costumes – to say nothing of Cromer’s direction, which easily matches his Tony-winning work on The Band’s Visit, Edwards and his castmates bring two distinct, if not always so dissimilar, eras to life, and they tell a sweeping story while conveying genuine intimacy. Prayer for the French Republic asks big questions – of history, of family, of identity – and, all but miraculously, answers their call.
2022 | Off-Broadway |
Off-Broadway |
2024 | Broadway |
Manhattan Theatre Club Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | Drama League Awards | Distinguished Performance | Betsy Aidem |
2024 | Drama League Awards | Outstanding Production of a Play | Prayer for the French Republic |
2024 | Tony Awards | Best Lighting Design of a Play | Amith Chandrashaker |
2024 | Tony Awards | Best Performance by an Actress in a Leading Role in a Play | Betsy Aidem |
2024 | Tony Awards | Best Play | Joshua Harmon |
Videos