There are two sides to every story.
Grieving the loss of the family shop with their dreams destroyed, Denise
and daughter-in-law Carly and left to pick up the pieces of their relatives’
mistakes.
Sharon Duncan-Brewster and Erin Doherty play Denise and Carly in this
thought-provoking drama that exp
Please use the sharing tools found via the share button at the top or side of articles. Copying articles to share with others is a breach of FT.com T&Cs and Copyright Policy. Email licensing@ft.com to buy additional rights. Subscribers may share up to 10 or 20 articles per month using the gift article service. More information can be found at https://www.ft.com/tour. https://www.ft.com/content/1d428e6c-db5d-46c2-8258-70f038868b71 In the previous plays, Thomas Coombes and Paapa Essiedu played brilliantly in the round, spinning and gambolling with manic eye contact to engage the whole audience. Doherty and Duncan-Brewster are no less charismatic and compelling, but the points when the pair turn in and interact are like a vortex, sucking the attention away from the viewer. It doesn’t help that the banter, delivered at volume and high velocity, is sometimes hard to catch. At 100 minutes (no interval) the play could last half as long again if the pair weren’t chatting at warp speed. It’s an extraordinary feat of stamina and agility nonetheless.
The cast juggle between multiple characters deftly but the tone is too screamy for the tension to build, and some deliveries are so fast that lines are swallowed. Several of the high moments of the play are lost to this, including Carly’s bombshell social-media rant. You glimpse a stronger, more searing play in a few scenes, such as Denise’s sabre-sharp diatribe on King Charles’s coronation (“A 74-year-old man is being showered with a billion quid’s worth of stolen bling”). But these are individual vignettes that do not gel as a whole, the action too hectic yet too long and loose.
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