"This is a night that will rock your world!" - Los Angeles Times
Like a comet that burns far too brightly to last, Janis Joplin exploded onto the music scene in 1967 and, almost overnight, became the queen of rock & roll. The unmistakable voice, filled with raw emotion and tinged with southern comfort, made her a must-see headliner from Monterey to Woodstock.
Now, you're invited to share an evening with the woman and her influences in the new Broadway musical, A Night with Janis Joplin.
Fueled by such unforgettable songs as "Me and Bobby McGee," "Piece of My Heart," "Mercedes Benz","Cry Baby," and "Summertime" a remarkable cast, and breakout performance by Mary Bridget Davies, A Night with Janis Joplin, written and directed by Randy Johnson, is a once in a lifetime musical experience that brings the music - and the woman - to life like never before.
It's a shame, then, that this musical doesn't give Davies much to work with other than her phenomenal voice. Written and directed by Randy Johnson, Night focuses on Joplin's musical icons - Bessie Smith (Taprena Michelle Augustine), Nina Simone (de'Adre Aziza), Etta James (Nikki Kimbrough), and Aretha Franklin (Allison Blackwell) - without revealing much about their influence beyond the fact that sheplayed that record until she wore it out, man. There's no trace of Joplin's juicy life - no gossip about what happened backstage at Woodstock or the Monterey Pop Festival, nothing about the night she allegedly broke a beer bottle over Jim Morrison's head, or her romance with Leonard Cohen, who later memorialized their relationship in the ballad 'Chelsea Hotel.' Instead, Johnson strings together broad clichés from her childhood memories, with Joplin's character insisting that women feel the blues more acutely than men, and that fans love blues singers more after they're dead. During one night of previews, an audience member audibly gasped 'Aww!' after the latter line, apparently unaware that Joplin died of a heroin overdose in 1970.
Ms. Davies portrays both sides of Janis, I should add. And while she bears a notable physical resemblance to Joplin, and her speaking voice has the same whisper of a twang and down-home earthiness, I'm a little suspicious of that second character. If the real Joplin had the kind of sensible perspective on her life and career that she exhibits in this show - happily reminiscing about her youthful love of painting, or giving a learned docent tour of blues history - she would probably not have died of an overdose of heroin and alcohol at 27...There remains a strange disjunction between the soul-baring singer and the woman calmly telling us that 'the blues is just a good woman feelin' bad,' or 'the blues are a way out of where you are, and they can drag you to where you're going,' or 'it's the want of something that gives you the blues, man.' The Janis we meet in 'A Night With Janis Joplin' spends so much time talking about the blues, you begin to wonder when she had time to truly suffer them.
2013 | Broadway |
Original Broadway Production Broadway |
2016 | US Tour |
North American Tour US Tour |
2017 | US Tour |
2017 US Tour US Tour |
West End |
West End |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2014 | Drama League Awards | Distinguished Performance Award | Mary Bridget Davies |
2014 | Theatre World Awards | Outstanding Broadway or Off-Broadway Debut Performance | Mary Bridget Davies |
2014 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Mary Bridget Davies |
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