Arthur Wing Pinero’s breathless farce THE CABINET MINISTER is given a new life in a brand-new adaptation by Nancy Carroll directed by Paul Foster.
Sir Julian Twombley is in trouble: his wife and son have run up massive debts and his political reputation is in the balance. The House of Commons is far from a safe space for him and the newspapers are sniffing blood. Can he save face and hang on to his sanity?
Joining Nancy Carroll are George Blagden, Joe Edgar, Phoebe Fildes, Rosalind Ford, Dom Hodson, Dillie Keane, Nicholas Rowe, Laurence Ubong Williams, Romaya Weaver, and Matthew Woodyatt. This crack cast tackles this sparkling story of marriage, blackmail and class where all bets are off!
The satire here is, charitably, broad. Strip away the social hypocrisy, Pinero says, and the moneylenders and blackmailers are basically politicians without a parliament. A modern-day coda in this version doesn’t add anything cleverer. But you don’t turn to farce for nuanced or incisive commentary . What stops this production from being truly great, as funny as some of its lines and scenes are, is the lack of that singular and relentless escalation you find in the best of the genre. In spite of Carroll’s changes, there’s too much going on, too many trifling side-plots, in every way. It doesn’t build to that perfect pinnacle of comedic disaster.
I confess I didn’t know much about the plays of Arthur Wing Pinero, but after seeing this absolutely knockout production of his 1890 farce The Cabinet Minister, brilliantly adapted by actress and debuting playwright Nancy Carroll, I’m now an ardent fan. This is, hands down, one of the funniest shows in London theatre right now.
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