It’s Manhattan. It’s the '60s. And the city is back in full swing, in Broadway’s first-ever revival of Promises, Promises - starring Emmy® Award winner Sean Hayes (Will and Grace) as the enterprising associate on the way up, and Tony Award® winner Kristin Chenoweth (Wicked) as the cafeteria waitress whose romantic troubles have got her down. Don’t miss this smart and sexy musical based on the Oscar®-winning Billy Wilder film, The Apartment.
The creative team is a perfect cocktail: a splashy score by the Academy Award®-winning team of Burt Bacharach and Hal David, including such songs as "I'll Never Fall In Love Again" and the straight-up swinging title tune… Add a book that takes turns tickling your funny bone and breaking your heart, courtesy of the legendary Neil Simon… Top it all off with a sparkling blend of direction and choreography by Tony Award® winner Rob Ashford—and you’ve got an intoxicating evening of Broadway magic.
T hanks to Mad Men fever, the time is right for a revival of Neil Simon, Burt Bacharach, and Hal David's 1968 musical Promises, Promises, itself based on Billy Wilder's 1960 film The Apartment. But there's nothing opportunistic about this production, directed and choreographed by Rob Ashford: He and his cast revel in the show's modest but potent charms instead of attacking the material with superior everything-was-so-corny-back-then winks and nudges. It treats Bacharach’s melodies as the buoyant, intricate structures that they are, not just weird curios from another age. Set in 1962 Manhattan, the show is pleasingly retro without being a kitsch comic book: Even its Eames-a-go-go sets (by Scott Pask), as colorful and fun as they are, speak more of cocktail-cabinet sophistication than yard-sale tackiness.
The new production, directed and choreographed by Rob Ashford, is stylish and handsome, but only occasionally memorable. Aside from the pop gems, catchy as ever (try to shake the brassy title number and 'I'll Never Fall in Love Again'), the dancing is dynamic and Katie Finneran is side-splitting as a boozy bar crawler. Otherwise, it's a so-so mixed bag. Blame the show itself and the new redo.
1968 | Broadway |
Original Broadway Production Broadway |
1969 | West End |
London Production West End |
1970 | US Tour |
National Tour US Tour |
1997 | Off-Broadway |
Encores! Concert Off-Broadway |
2010 | Broadway |
Broadway Revival Broadway |
2017 | West End |
Off-West End Revival West End |
2018 | Off-Broadway |
Transport Group Concert Production Off-Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2010 | BroadwayWorld Awards | Best Leading Actress in a Musical | Kristin Chenoweth |
2010 | Drama Desk Awards | Outstanding Featured Actress in a Musical | Katie Finneran |
2010 | Drama Desk Awards | Outstanding Revival of a Musical | Promises, Promises |
2010 | Drama Desk Awards | Outstanding Sound Design in a Musical | Brian Ronan |
2010 | Outer Critics Circle Awards | Outstanding Actor in a Musical | Sean Hayes |
2010 | Outer Critics Circle Awards | Outstanding Choreography | Rob Ashford |
2010 | Outer Critics Circle Awards | Outstanding Featured Actor in a Musical | Dick Latessa |
2010 | Outer Critics Circle Awards | Outstanding Featured Actress in a Musical | Katie Finneran |
2010 | Outer Critics Circle Awards | Outstanding Revival of a Musical | 0 |
2010 | Tony Awards | Best Choreography | Rob Ashford |
2010 | Tony Awards | Best Orchestrations | Jonathan Tunick |
2010 | Tony Awards | Best Performance by an Actor in a Leading Role in a Musical | Sean Hayes |
2010 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Katie Finneran |
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