One of the world’s greatest artists deserves the world’s biggest stage: LEMPICKA comes to Broadway, following critically acclaimed, sold-out runs at the Williamstown Theatre Festival and the La Jolla Playhouse. From the Tony Award®-winning director of HADESTOWN and starring Eden Espinosa, this New York Times Critic’s Pick is a sweeping musical portrait of a woman who changed art and culture forever.
Spanning decades of political and personal turmoil and told through a thrilling, pop-infused score, LEMPICKA boldly explores the contradictions of a world in crisis, a woman ahead of her era, and an artist whose time has finally come.
“Eden Espinosa has finally found a part to match her high-voltage talent in this rousing, surprising, intricately shaded portrait of a conquering heroine.” The New York Times
“A singular boldness pulses through LEMPICKA, a musical that’s as ambitious and complex as the painter it frames onstage.” The Los Angeles Times
Lempicka offers a theatrical manifestation of the revival of interest in a woman artist who embraced the avant-garde style of Art Deco, along with a privileged lifestyle and free sexuality, as stated in her own bombastic and defiant words: “I live life in the margins of society, and the rules of normal society don’t apply to those who live on the fringe.” If only the sexualization of women and their nudity in art were not so standard. As questioned in the famous poster by the feminist/activist group Guerrilla Girls in 1989, “Do women have to be naked to get into the Met Museum?,” noting that “less than 5% of the artists in the Modern Art section were women, but 85% of the nudes were female.”
That there is little if any historical truth in that characterization is not ultimately the problem. The painter Georges Seurat in “Sunday in the Park With George” — a show referenced in the first lines of the script — is largely fictionalized too, a cad to his mistress and generally unlikable. “Lempicka” doesn’t have the craft, especially in the mis-accented, often vague lyrics, to make its title character a relatable modern woman, nor the boldness to let her be awful and great. Perhaps if it were less of a machine she could be more of a monster.
Digital Rush:
Price: $44
Where: https://rush.telecharge.com/
When: 11am on the day of performance.
Limit: Two per customer
Information: Subject to availability.
Digital Lottery:
Price: $35
Where: https://rush.telecharge.com/
When: The digital lottery opens at 12AM ET one day before the performance closing at 3 PM the day before the performance. Winners are drawn at 10AM ET and 3PM ET that same day.
Limit: Two per customer
Information: Winners will be notified by email shortly after each drawing and have six hours to claim and purchase tickets online. Tickets will be emailed. While every effort will be made to seat pairs together with a full view, there is a chance that pairs may be split up and that your seat may have a partial view of the stage.
2024 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | Drama League Awards | Disinguished Performance | Eden Espinosa |
2024 | Drama League Awards | Distinguished Performance | Amber Iman |
2024 | Drama League Awards | Outstanding Production of a Musical | Lempicka |
2024 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Amber Iman |
2024 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Eden Espinosa |
2024 | Tony Awards | Best Scenic Design of a Musical | Riccardo Hernandez |
Videos