Willkommen. Bienvenue. Welcome to the Kit Kat Club. Home to an intimate and electrifying new production of CABARET.
Experience this groundbreaking musical like never before. The denizens of the Kit Kat Club have created a decadent sanctuary inside Broadway’s August Wilson Theatre, where artists and performers, misfits and outsiders rule the night. Step inside their world. This is Berlin. Relax. Loosen up. Be yourself.
London’s hottest ticket arrives on Broadway this Spring with Academy® and Tony Award® winner Eddie Redmayne reprising his Olivier Award-winning performance as the Emcee, and introducing Gayle Rankin as the Toast of Mayfair, Sally Bowles.
CABARET has music by John Kander, lyrics by Fred Ebb and a book by Joe Masteroff – based on the play by John Van Druten and stories by Christopher Isherwood.
We don’t have to look too far to see how quickly democracy can collapse. A presidential candidate facing 91 felony charges, “Don’t Say Gay” laws, and the proliferation of drag bans could push any of us to unleash our inner Sally Bowles. Redmayne, Rankin, and a smartly conceived Cabaret reboot shoot warning flares high into the sky. We only need to wander into the Kit Kat Club to discover a world mirroring our own.
The unparalleled star power of Sally Bowles, the untalented and poverty-plagued good-time girl who sings and sleeps her way through the Berlin underground and charms pre-war Germany at any cost, is a dream that refuses to come alive in the woefully miscast Gayle Rankin. The greatest Sally in history is still Julie Harris in the black-and-white British film I Am a Camera (1955), from the play of the same name by John Van Druten, stunningly based on the autobiographical Berlin Stories by Christopher Isherwood. The most famous Sally will probably always be Liza Minnelli, who won an Oscar for the Technicolor movie by Bob Fosse. And the worst Sally is Gayle Rankin. With none of the glamour Julie Harris brought to the role and not a shred of Liza Minnelli’s vulnerability or poignancy, she hams it up all over the stage, massacring the songs and dedicating herself to the idea that no song is worth singing unless it can also be screamed. “Mein Herr” is now yelled with the fury of Medea killing her children, and both of the show’s enduring ballads, “Cabaret” and “Maybe This Time,” are all but incomprehensible. Clifford Bradshaw, the American character based on Isherwood, is now a boring bespectacled somebody played by someone named Ato Blankston-Wood, and if you can stand him, you can have him.
Digital Lottery:
Price: $25
Where: www.luckyseat.com
When: For weekday performances, entries will be accepted until 9:30 AM ET the day before the performance with winners being selected beginning at 10 AM ET and continuing throughout the day as needed. For weekend performances, entries will be accepted until 9:30 AM ET the Friday before, with winner selection following at 10 AM ET and continuing throughout the day as needed.
Limit: Two per customer
Information: Winners will have a limited window in which to purchase and claim their tickets, so those entering are encouraged to keep an eye on the drawing on the dates they have entered. Tickets are subject to availability.
1966 | Broadway |
Original Broadway Production Broadway |
1967 | US Tour |
National Tour US Tour |
1968 | West End |
London Production West End |
1982 | Regional (US) |
Regional Revival Regional (US) |
1986 | West End |
London Revival West End |
1987 | Broadway |
Broadway Revival Broadway |
1993 | West End |
Donmar Warehouse Revival West End |
1998 | Broadway |
Roundabout Revival Broadway |
2006 | West End |
London Revival West End |
2008 | UK Tour |
National Tour UK Tour |
2012 | West End |
West End Revival Production West End |
2014 | Broadway |
Roundabout Revival Broadway |
2016 | US Tour |
2016 National Tour US Tour |
2021 | West End |
London Production West End |
2024 | Broadway |
Broadway Revival Production Broadway |
West End |
West End |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | Drama Desk Awards | Outstanding Direction of a Musical | Rebecca Frecknall |
2024 | Drama Desk Awards | Outstanding Featured Performance in a Musical | Bebe Neuwirth |
2024 | Drama Desk Awards | Outstanding Lead Performance in a Musical | Gayle Rankin |
2024 | Drama Desk Awards | Outstanding Sound Design of a Musical | Nick Lidster for Autograph |
2024 | Drama League Awards | Distinguished Performance | Gayle Rankin |
2024 | Drama League Awards | Distinguished Performance | Eddie Redmayne |
2024 | Drama League Awards | Outstanding Direction of a Musical | Rebecca Frecknall |
2024 | Drama League Awards | Outstanding Revival of a Musical | Cabaret |
2024 | Outer Critics Circle Awards | Outstanding Featured Performer in a Broadway Musical | Bebe Neuwirth |
2024 | Outer Critics Circle Awards | Outstanding Revival of a Musical | Cabaret |
2024 | Tony Awards | Best Costume Design of a Musical | Tom Scutt |
2024 | Tony Awards | Best Lighting Design of a Musical | Isabella Byrd |
2024 | Tony Awards | Best Performance by an Actor in a Featured Role in a Musical | Steven Skybell |
2024 | Tony Awards | Best Performance by an Actor in a Leading Role in a Musical | Eddie Redmayne |
2024 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Bebe Neuwirth |
2024 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Gayle Rankin |
2024 | Tony Awards | Best Revival of a Musical | Cabaret at the Kit Kat Club |
2024 | Tony Awards | Best Scenic Design of a Musical | Tom Scutt |
2024 | Tony Awards | Best Sound Design of a Musical | Nick Lidster for Autograph |
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