Amazing Grace is a new original musical based on the awe-inspiring true story behind the world's most beloved song. A captivating tale of romance, rebellion and redemption, this radiant production follows one man whose incredible journey ignited a historic wave of change.
John Newton (Tony Award nominee Josh Young), a willful and musically talented young Englishman, faces a future as uncertain as the turning tide. Coming of age as Britain sits atop an international empire of slavery, he finds himself torn between following in the footsteps of his father-a slave trader-or embracing the more compassionate views of his childhood sweetheart (Erin Mackey). Accompanied by his slave, Thomas (Tony Award winner Chuck Cooper), John embarks on a perilous voyage on the high seas. When that journey finds John in his darkest hour, a transformative moment of self-reckoning inspires a blazing anthem of hope that will finally guide him home.
Sneer if you must, but it could be argued that in 2015, on Broadway, it's more irreverent to promote such beliefs than it is to satirize their practice. The much-celebrated Hand to God uses a demonic sock puppet to send up rigid distinctions between good and evil in a Christian community. And at last check, The Book of Mormon wasn't having any trouble selling tickets. If Grace has the courage of its convictions, it shows less daring, and little invention, as a creative work. With its mostly generic, sometimes bombastic score and stilted dialogue, this account of the pre-American Revolution U.K. can recall some of the more hot-air-filled musicals that invaded us from abroad (and some homegrown ones) in the '80s and '90s.
Unfortunately, while aspects of Newton's tale are indeed noteworthy, maybe even amazing, the musical itself unfolds as an overstuffed history lesson trimmed in melodrama, with a standard-issue romantic subplot and some dutiful attempts to explore the lives of the slaves (although the focus remains squarely and maybe a little uncomfortably on the British characters)...Smith's score is pleasant and serviceable...'Amazing Grace' isn't particularly subtle when it comes to psychology, or, for that matter, exposition...Nor does the plot avoid some faintly preposterous excesses...r. Hewitt and Mr. Cooper, both stalwart musical theater veterans, give forceful renderings of their minimally drawn characters. Ms. Mackey's pure, radiant soprano delights the ear...Mr. Young's tenor matches Ms. Mackey's in its bright, limpid richness - although I couldn't help but imagine that if a Ken doll could sing, its timbre would be similar...The song is simple, beautiful, immortal; the musical, not so much.
2014 | Chicago |
World Premiere Production Chicago |
2015 | Broadway |
Original Broadway Production Broadway |
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