If/Then is a contemporary new musical that follows two distinct story lines in the life of Elizabeth, a city planner who moves back to New York to restart her life in this city of infinite possibilities. When her carefully designed plans collide with the whims of fate, Elizabeth's life splits into two parallel paths. If/Then follows both stories simultaneously as this modern woman faces the intersection of choice and chance.
If/Then is an original musical written by Tom Kitt and Brian Yorkey, the Pulitzer Prize and Tony Award-winning creators of Next to Normal, and starring Idina Menzel in her much-anticipated return to Broadway after her Tony Award-winning performance in Wicked.
If/Then also stars Tony Award winner LaChanze (The Color Purple) and reunites Idina Menzel with her original Rent co-star, Anthony Rapp.
We are meant to feel a bit off-balance, a little disoriented, maybe even confused in parts of 'If/Then' -- and that's the sharp point. In this intelligent, surprising, altogether original new musical, the main character is a 39-year-old divorced woman, Elizabeth, who returns to New York after 12 years as a wife in Phoenix. This is a fork-in-the-road show, a back-to-the-future entertainment in which we briefly see the consequences of different roads taken...Greif's gleaming, inventive production has lots of moving parts, including double-decker sets by Mark Wendland that add more levels with a mirror that adds layers of ceiling and sky. Disorienting? Indeed, but in attractive, unpredictable ways.
If you're getting Sondheim hot flashes-Merrily We Roll Along for its retrospective rue and Company for insights into urban singledom-you know where If/Then lives. It's a smart, contemporary piece for adults. It doesn't condescend-to its sympathetic and fallible same-sex couples, or to an Army reservist (James Snyder) for whom Liz falls...Menzel imbues her character with maximum pluck and vulnerabilty. But for all the charisma of the lead and ensemble, Kitt's score blurs into similar-sounding midtempo pop ballads. Menzel carries the show but can't force us to care about Liz/Beth's average life choices. People are just too darn nice in If/Then's world. We need more bitchery and satire, more injustice for our hero to fight against, to inspire an anthem as thrilling (if as slick) as 'Let It Go.' Otherwise, we get a Choose Your Own Adventure that's not really venturesome.
2014 | Broadway |
Original Broadway Production Broadway |
2015 | US Tour |
First National Tour US Tour |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2014 | BroadwayWorld Awards | Best Featured Actress in a Musical | LaChanze |
2014 | BroadwayWorld Awards | Best Leading Actress in a Musical | Idina Menzel |
2014 | BroadwayWorld Awards | Best Musical | If/Then |
2014 | Drama Desk Awards | Outstanding Actress in a Musical | Idina Menzel |
2014 | Drama Desk Awards | Outstanding Orchestrations | Michael Starobin |
2014 | Drama League Awards | Distinguished Performance Award | Idina Menzel |
2014 | Outer Critics Circle Awards | Outstanding New Score (Broadway or Off-Broadway) | If/Then |
2014 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Tom Kitt |
2014 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Brian Yorkey |
2014 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Idina Menzel |
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