Marty McFly is a rock 'n' roll teenager who is accidentally transported back to 1955 in a time-traveling DeLorean invented by his friend, Dr. Emmett Brown. But before he can return to 1985, Marty must make sure his high school-aged parents fall in love in order to save his own existence.
Caden Brauch makes a sturdy Marty. He's a fine comic actor and triple threat who should just keep fine-tuning his duckwalk in order to make it really goode, if you know what I'm sayin'. Don Stephenson's Doc is sensational. He underplays like an old vaudevillian, and he has mastered the very hard art of throwing lines and bits away. (Best one: When Marty asks him who the girls are who suddenly arrive to sing and dance behind their number, Doc shrugs, "They just show up when I start singing.") He's got the three best songs in the show (Music and Lyrics by Alan Silvestri, who wrote the scores for all three BTTF films, and Glen Ballard): "It Works," (the DeLorean, of course), "21st Century," in which Doc dreams what he might see in the future--The Doctor would like that Doc dreams of The Tardis, and a lovely ballad "For the Dreamers," sung with mostly solo piano which provides some Act II auditory respite from the onslaught of the overly loud rest of the show. And Stephenson never never never pretends that he's Christopher Lloyd; Doc belongs to him, and a good time is had by all.
It’s fair to say that the success relies completely on longtime devotees of the films and the kids they bring with them, because this musical works only as fan service. For the critical — hey, it’s my job — there’s more pleasure to be had appreciating the nostalgia-driven joy of the audience than there is in what’s on stage, which is all frantic adrenaline.
2021 | West End |
West End Premiere West End |
2021 | West End |
West End |
2023 | Broadway |
Original Broadway Production Broadway |
2024 | US Tour |
North American Tour US Tour |
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